A REVISIONIST HISTORY OF INDEPENDENT CLASSICAL PERCUSSION SOLOISTS OF THE TWENTIETH CENTURY

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dc.contributor.advisorVotta, Michaelen_US
dc.contributor.authorRocheteau, Robert Alexandreen_US
dc.contributor.departmentMusicen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2024-09-23T05:35:58Z
dc.date.available2024-09-23T05:35:58Z
dc.date.issued2024en_US
dc.description.abstractThis dissertation examines the marimbists, multi-percussionists, and solo-percussionists who were independent classical soloists in the twentieth century. Traditionally, scholarship has seen the histories of these percussion soloists as separate from one another. By proposing new frameworks and contexts, this revisionist history shows how marimbists, multi-percussionists, and solo-percussionists form a continuum. These frameworks mark pivotal shifts in history and include percussion practices, eras of percussion soloists, and generations. The “percussion practices” framework shows how composers have used percussion in classical music. The “eras of percussion soloists” framework shows what percussionists did and what percussion instruments they performed on. The “generations” framework shows how each particular solo art form evolved.en_US
dc.identifierhttps://doi.org/10.13016/a2sq-xekz
dc.identifier.urihttp://hdl.handle.net/1903/33276
dc.language.isoenen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledClassical Musicen_US
dc.subject.pquncontrolledPercussionen_US
dc.subject.pquncontrolledRevisionist Historyen_US
dc.titleA REVISIONIST HISTORY OF INDEPENDENT CLASSICAL PERCUSSION SOLOISTS OF THE TWENTIETH CENTURYen_US
dc.typeDissertationen_US

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