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    Love-cheek, Azteca

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    Hamami_umd_0117N_16302.pdf (845.8Kb)
    No. of downloads: 201

    Date
    2015
    Author
    Hamami, Aydin
    Advisor
    Klank, Richard
    DRUM DOI
    https://doi.org/10.13016/M2R93Q
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    Abstract
    The act of painting is one of a physical, visceral nature, in which the intangible is made tangible, removed from our world in such a way as you allow us an abstract viewership, and intimately tied to our own physicality. The mind of the painter is one that must be simultaneously present and absent from the world of the moment. The following is a recounting of events that have led to the understanding of studio practice that my work exemplifies today, and a dissection of the significance of the actions of the artist within the studio space as well as in relation to the art object at its end.
    URI
    http://hdl.handle.net/1903/17146
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    • Art Theses and Dissertations
    • UMD Theses and Dissertations

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    DRUM is brought to you by the University of Maryland Libraries
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