Languages, Literatures, & Cultures Theses and Dissertations
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Item Un asunto minúsculo: Constelaciones contemporáneas en las narrativas de lo cotidiano(2024) hernandez, daniela paz; Demaría, Laura; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Este trabajo explora cómo lo cotidiano, conceptualizado como 'minúsculo', es representado en las obras de cinco autores contemporáneos latinoamericanos: Teoría de la gravedad, de Leila Guerriero; Leer y dormir, de Gonzalo Maier; Ómnibus, de Elvio Gandolfo; Los llanos, de Federico Falco y Ella estuvo entre nosotros, de Belén Fernández Llanos. Estas narrativas varían en contenido y estilo, pero hablan de rutinas, detalles y asuntos pequeños, como lavar platos, viajar al trabajo u ordenar la casa. El objetivo principal de este análisis es ilustrar cómo estos aspectos aparentemente irrelevantes, mundanos o imperceptibles de lo cotidiano arrojan luz sobre la complejidad del presente y sus discursos de subjetividad. Para comprender el valor de lo cotidiano se estudia, primero, la capacidad de estas escrituras para construir materialidades autónomas y vibrantes; segundo, cómo estos pequeños asuntos minúsculos ayudan a distinguir lo familiar y crear en él un espacio de experimentación para el sujeto; y tercero, cómo producen una temporalidad única e íntima que se lee como una alternativa al tiempo uniforme e industrializado. Estos tres puntos se analizan utilizando herramientas de la teoría de los afectos, nuevos materialismos y los estudios culturales de lo cotidiano. El valor de esta investigación radica en su capacidad para ofrecer un punto de vista único, que va más allá de los límites de lo literario para abarcar una reflexión más amplia sobre el presente. En una era inundada de información y perpetuamente bajo el influjo de lo nuevo, este estudio fomenta la contemplación y la reflexión, ofreciendo una pausa, un contrapunto, al ritmo frenético de la vida moderna. Este trabajo sostiene que estas narrativas crean espacios para un compromiso más deliberado e introspectivo con la realidad y promueven un cambio sutil pero transformador, lo que representa en sí mismo un acto revolucionario.Item UNA MODERNIDAD TENSIONADA: LA PRENSA CATÓLICA DE LOS AÑOS 20 EN BUENOS AIRES(2022) Maurette, Sofia; Demaria, Laura; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Según la Pew Foundation, Latinoamérica es uno de los continentes más religiosos del mundo, con más del 90% de su población identificándose como parte de una religión organizada. Sin embargo, la religión latinoamericana no ha recibido una atención equivalente a sus números. Mi investigación analiza el campo poco estudiado de la religión latinoamericana a través de la lente de su producción cultural, combinando los campos de los estudios religiosos con los estudios literarios y culturales latinoamericanos. En mi trabajo afirmo que definiciones estrechas sobre la Modernidad e ideas normativas sobre el lugar de la religión en la esfera pública moderna, uno de los postulados de la "teoría de la secularización", han resultado en una lectura sesgada de los movimientos y textos religiosos latinoamericanos, generalmente considerados incompatibles con sus aspiraciones modernas.En mi tesis me centro específicamente en las revistas católicas argentinas y su compromiso con las consecuencias del proceso de modernización del país a principios del siglo XX. Para una de estas revistas, Criterio (1928-presente), esto significó elaborar un lenguaje que adoptó la retórica de los movimientos de vanguardia para atraer a la élite intelectual a la que deseaban convertir. La revista femenina Noel (1920-1939), por otro lado, al contrastar la construcción tradicional de género dentro del catolicismo con las nuevas definiciones de feminidad adoptadas por los movimientos feministas contemporáneos, se convirtió en un espacio seguro para sus autoras en el cual construir y realizar una comprensión del género que, si bien respaldaba explícitamente una cosmovisión patriarcal, reformulaba sutilmente el papel de la mujer dentro de ella.Item Heterodoxia critica: Ezequiel Martínez Estrada y Néstor Perlongher(2023) Diaz, Juan Manuel; Demaria, Laura; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The dissertation explores how marginalized discourses of identity have been a central concern in Twentieth-Century Latin American literature. I am interested in writers that have been displaced, muted, ignored, or persecuted for one reason or another: race, sexual orientation, nationality, religious belief, and language. To combine these multiple reasons of marginalization, I advance the concept of heterodoxy. Two among the many representatives of heterodoxy are Ezequiel Martínez Estrada (1895-1964) and Néstor Perlongher (1949-1992). Thus, I argue, on the one hand, that Martínez Estrada inscribes in his Radiografía de la pampa (1933) a pioneer reading of the Frankfurt School’s critical theory to completely subvert the question on civilization and barbarism. On the other hand, I discuss the role played by Perlongher’s Prosa Plebeya (1997) in the dissemination of poststructural criticism in Latin America to rethink the dichotomy through his reappropriation and resignification of concepts like corporality and desire.Item ROBERTO FONTANARROSA: HISTORIA Y LITERATURA A CONTRAPELO. INODORO PEREYRA, EL RENEGAU(2022) Battauz, Cecilia Edith; Sosnowski, Saúl; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)As a result of Spanish colonization, nation-building in Latin America followed distinctive and diverse processes, and a protracted chronology that spanned an entire century. The new nation-states that emerged from the nineteenth century wars of Independence forged their own symbols, imagery, and foundational narratives to provide a framework to disparate populations. Throughout the continent, literature played a fundamental role in the construction of symbolic narratives, which inexorably intertwined with official national history. In Argentina, one such myth was built around the “gaucho”, the cowboy of the Pampas plains who freely roamed the countryside. Once an actual social type, the “gaucho” disappeared around the end of the 19th Century due to changes introduced by modernization as Argentina transformed and refocused its economy to supply raw materials for European industries. As a literary figure, however, the gaucho survived as the dominant character of poems, novels, and short stories that conform a unique national literary genre: Gauchesca Literature.In my dissertation I study the comics Inodoro Pereyra, el renegau by Roberto Fontanarrosa (1944-2007), which features an atypical gaucho accompanied by his loyal talking dog. I analyze how Fontanarrosa deconstructs the national literary myth of the horse riding “gaucho” unveiling the inherent racism, social injustice, and ideological manipulation it has conveyed for the last two centuries. Fontanarrosa’s creation, which appeared regularly in the Argentine press and in book format for over thirty-four years until the author’s death, not only denounces the unspoken influence this traditional figure has had in shaping Argentine society, but it also highlights the common misrepresentation of indigenous communities and the unfair treatment to which they have been, and continue to be, subjected. Using parody, humor, and caricature, the comics revise national history and canonical literature along with artifacts from contemporary popular culture, such as films and folk songs. In addition, it offers a postmodern approach to the foundational narratives of the nation. My claims are that the comics offer an ex-centric perspective and that its subversive message defies traditional views of identity as fixed forms that could be predetermined. I propose that the narrative genre of comics—still marginalized from the literary canon—constitutes an excellent medium to present an alternative and irreverent approach to the subject, since its literary standing challenges the centrality of the official canon. At the same time, the comics suggest the need to see tradition and identity as concepts under constant change, thus showing a postmodern critique to monolithic grand narratives. Although my study concerns Argentine society, I believe it to be microstructurally significant for its premises may be applied to other societies built upon national myths, such as those created by most nation-states in the Americas after gaining their independence from colonial administration and cultural hegemony.Item Potencialidades desbordadas: Comunalidad y resistencias en las fronteras mexicanas(2022) Reyes , Nidia Mariana; Long, Ryan R; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In recent years, the intense crises of economic globalization, political polarization and escalating violence have increased the dangers faced by migrants around the world. Mexico and Central America present cases where these factors have exacerbated the precariousness and brutality suffered by undocumented migrants. My dissertation focuses primarily on the representations and practices that portray the current socio-political situation of forced migration from Mexico and Central America to the United States. As well as on the artistic responses that shed new ways of imagining the resistance of the migrant and Latinx community. The variety of responses to the migration crisis is reflected in the diversity of the materials I analyze and interpret: documentaries, websites, novels and poetry. I compare Mexican writer Yuri Herrera's novel Señales que precederán al fin del mundo (2009) with Citizen Illegal (2018), a collection of poetry by José Olivarez, an American writer born to Mexican immigrants. I also develop an analysis of the transnationally co-produced (American and Salvadoran) multimedia journalistic project Los que iban a morir se acumulan en México (2017), which I read under the theoretical guideline of Mexican writer Sara Uribe's Antígona González (2012). Finally, I study the way in which the issue of migrant disappearances on the Mexican border is treated. I analyze the documentary María en tierra de nadie (2011) by Marcela Zamora, which portrays the journey of Central American mothers searching for their missing daughters and relatives, and the website WhoisDayaniCrystal, inspired by the documentary, ¿Quién es Dayani Crystal? (2013), which deals with the process of identifying the body of an undocumented migrant found in the so-called "corridor of death", one of the hottest and most dangerous areas of the Arizona desert. My analysis of literary texts from both sides of the U.S.-Mexico border shows how the border is not only a geopolitical and economic boundary but also a confluence of times, spaces, and bodies. But above all, it is a confluence of migrants and a multiplicity of people who, despite encountering violence at the borders and the migrant path, resist through every day and/or fleeting acts. En los últimos años, las intensas crisis de globalización económica, la polarización política y la escalada de violencia han aumentado los peligros a los que se enfrentan lxs migrantes en todo el mundo. México y Centroamérica presentan casos en los que dichos factores han exacerbado los niveles de precariedad y brutalidad que sufren lxs migrantes indocumentados. Mi disertación se centra principalmente en las representaciones y prácticas que retratan la actual situación sociopolítica de la migración forzada desde México y Centroamérica hacia Estados Unidos. Así como en las respuestas artísticas que arrojan nuevas formas de imaginar la resistencia de la comunidad migrante y latinx. La variedad de respuestas a la crisis migratoria se refleja en la diversidad de los materiales que analizo e interpreto: documentales, páginas web, novelas y poesía. Por ejemplo, comparo la novela del escritor mexicano Yuri Herrera, Señales que precederán al fin del mundo (2009) con Citizen Illegal (2018), una colección de poesía de José Olivarez, un escritor estadounidense nacido de inmigrantes mexicanos. También desarrollo un análisis del proyecto periodístico multimedia coproducido transnacionalmente (estadounidense y salvadoreño) titulado Los que iban a morir se acumulan en México (2017), mismo que leo bajo la pauta teórica de Antígona González (2012) de la escritora mexicana Sara Uribe. Finalmente, estudio la manera en la que se trata el tema de las desapariciones de migrantes en la frontera mexicana. Analizo el documental María en tierra de nadie (2011) de Marcela Zamora, que retrata el viaje de madres centroamericanas que buscan a sus hijas y familiares desaparecidxs y la página web WhoisDayaniCrystal, inspirada en el documental, ¿Quién es Dayani Crystal? (2013), que trata del proceso de identificación de un cuerpo de un migrante indocumentado encontrado en el llamado "corredor de la muerte", una de las zonas más calientes y peligrosas del desierto de Arizona. Mi análisis de los textos literarios de ambos lados de la frontera entre México y Estados Unidos muestra cómo la frontera no es sólo un límite geopolítico y económico, sino también una confluencia de tiempos, espacios y cuerpos. Pero, sobre todo, es una confluencia de migrantxs y una multiplicidad de personas que a pesar de encontrar violencia en las fronteras y el camino migrante, resisten a través de actos cotidianos y/o fugaces.Item Reading the Contemporary Body in the Works or Eduardo Lalo and Rita Indiana Hernández(2021) Lewis, Matthew C; Quintero-Herencia, Juan Carlos; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is interested in specificities of Caribbean bodies and the strategies that are used to perform, imagine, and make sensible the textual body so that it may be read through archipelagic contexts. I posit that the multi-disciplinary works of Dominican Rita Indiana Hernández (Santo Domingo 1977) and Puerto Rican Eduardo Lalo (Cuba 1960) turn a critical and creative eye to the corporealities that have been obscured and overshadowed by exotified, mainstream, and normative bodies and their representation. I argue that we tell stories with our bodies, and, likewise, the body is a text to be performed, read and made sensible. However, what we understand for the body—its capabilities and its limits—is a direct product of how these narratives have been politically and socially constructed, appropriated, and implemented in hegemonic discourses. My intervention lies questioning what narratives and images or the body are produced and privileged in these texts: how do these corporealities become sensible and make sense of the other bodies around them? What are the potential corporeal poetics and politics that may tie these texts together? By looking at the representation of anonymous bodies, the creation of Puerto Rican body-images, and the Dominican bodies situated within primal soundscapes, I suggest that these specific texts break with both preconceived and prescribed notions of a “Caribbean identity” and what it may mean to be Caribbean. This dissertation aims to interrogate the limits of hegemonic discourses of nationality and history by engaging with the ways in which the texts of Hernández and Lalo perform their own relationship to the contemporary, always crossing and challenging limits, imagining transitive bodies in constant motion, and implementing diverse strategies to produce and inhabit contemporary intervals that fiercely reject fixed and prescriptive notions of what a Caribbean body is, or of what it is capable.Item LA TRADUCCIÓN DE NOVELAS CHICANAS AL ESPAÑOL(2020) Montelongo Valencia, Ofelia; Long, Ryan; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The translation of Chicano/a literature brings a series of particular challenges because of the usage of code-switching between English and Spanish representing the Chicano/a hybrid language. This thesis analyzes the novels The House on Mango Street (1984) by Sandra Cisneros, Across a Hundred Mountains (2006) by Reyna Grande and I Am Not Your Perfect Mexican Daughter (2017) by Erika L. Sánchez and how their translations into Spanish mexicanize the text, altering the Chicano/a hybrid language. This thesis studies the code-switching approaches proposed by Lourdes Torres, the translation strategies of Basil Hatim and Ian Mason, and the translation paradigms of Anna María de D’Amore, to suggest a type of Chicano/a works’ translation into Spanish, that displays the code-switching initially used. This proposal will help reflect the Chicano/a culture in the United States through the hybrid language in the Spanish translation. -- La traducción de la literatura chicana trae consigo una serie de desafíos particulares debido a la alternancia de códigos entre el inglés y el español que se entrelazan para mostrar el lenguaje híbrido chicano. En este trabajo se analizan las novelas The House on Mango Street (1984) de Sandra Cisneros, Across a Hundred Mountains (2006) de Reyna Grande y I Am Not Your Perfect Mexican Daughter (2017) de Erika L. Sánchez y cómo sus traducciones al español mexicanizan los textos, alterando el lenguaje híbrido, uno de los mecanismos más reconocibles en las obras chicanas. Esta tesis estudia las estrategias de code-switching de Lourdes Torres y de traducción de Basil Hatim e Ian Mason, junto con los paradigmas de traducción de Anna María de D’Amore para proponer un tipo de traducción de las obras chicanas al español reflejando la alternancia de código utilizada originalmente. Esta propuesta permitirá reflejar la cultura chicana en Estados Unidos a través del lenguaje híbrido en la traducción al español.Item Change Is Sound: Resistance and Activism in Queer Latinx Punk Rock(2019) Dowman, Sarah; Long, Ryan; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Change Is Sound explores the roles punk ethos, discourses, and collectivism play in creating resistant practices within queer US Latinx punk communities since the 1970s. My research engages critically with the fields of contemporary Latinx cultural studies and hemispheric queer studies to elucidate new perspectives on the emerging critical category of Latinx, to challenge stagnant narratives of resistance and activism in queer communities of color in the US, and to provide a framework for how resistant practices are being defined and constructed in the present. Furthermore, my study decenters the “white riot” narrative of punk that excludes and erases diversity by categorizing the subculture as a straight, white, male, suburban, middle-class, youth phenomenon. My study achieves this decentering by focusing on intersectional, transnational, and transgenerational subjectivities represented by the contributions of queer Latinx punk artists. By diversifying the perspectives and experiences represented and highlighting how these artists forge connections to larger histories of resistant practices in queer communities of color in the US and transnationally, I demonstrate how underrepresented populations expand punk’s emancipatory potential. Specifically, my research shows how resistant practices such as performative and activist interventions and the creation of online collective revisionist writings present a foundation from which queer Latinx and other marginalized communities negotiate power, hegemony, and resistance within the contemporary context of precarity and oppression under neoliberalism and capitalist globalization.Item Transgresiones espaciales y funcionales: la audiencia en la producción teatral chilena durante el periodo dictatorial de Augusto Pinochet(2017) Gonzalez-Contreras, Melissa; Cypess, Sandra M; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation focuses on the theatrical production written and staged during Augusto Pinochet’s (1915-2006) dictatorship (1973-1990) and the prevalence of the figure of the audience in the theatrical text and performance. The theatrical audience is explored as a theoretical and concrete example of the fluctuating role deemed necessary of the social audience or citizenry. The focus on the theatrical audience is informed by the expansive theatricality of the Chilean State in its sociopolitical and economic displays; by the exploration of the mechanisms by which the sociopolitical milieu and the theatrical stage and event coincide and inform each other; by the revision of the dictatorial setting through the lens of the theatrical paradigm; and by the inquiry upon the degree of participation, interaction, and influence that the sociopolitical and theatrical performances allow from their participants. This project analyzes the figure of the theatre critic of the period as a means to apprehend the experience of this particular type of audience, but most importantly it explores the spatial and functional transgressions of the theatrical audience in six plays that, in addition to portraying the shifting conception of the participants in the theatrical event, are also indicative of the formal innovations of the Chilean theater of the period: Hojas de Parra (1977) by Jaime Vadell and José Manuel Salcedo, Baño a baño (1978) by Jorge Vega, Guillermo de la Parra and Jorge Pardo, Redoble fúnebre para lobos y corderos (1981) by Juan Radrigán, Cinema Utoppia (1985) by Ramón Griffero, Lo que está en el aire (1986) by Carlos Cerda and ICTUS, and Retablo de Yumbel (1986) by Isidora Aguirre. I argue that by means of the plays’ themes and innovative theatrical techniques, dramatists and directors trigger an active role for the audience that is directly correlated with the social, political, and economic state of their context. The reconceptualization of the role and participation of the audience during the theatrical event proves to be symptomatic of the necessary social and political reorganization of Chile’s social spheres during the country’s dictatorial period.Item Alan Pauls: Poéticas del anacronismo(2016) Charry, Luis F.; Demaría, Laura; Merediz, Eyda; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Alan Pauls (b. 1959) is an Argentine novelist and essayist. His works have barely been studied outside of Latin America; therefore, my work will be one of the first to focus critically and theoretically on his oeuvre and raise awareness of his importance to Contemporary Latin American Literature. The fundamental concept of my thesis is anachronism, which I develop by investigating the ways in which the present and the past are interconnected in the same temporal space. My dissertation has two interconnected parts. In the first, I propose an approach to Pauls’ literary work that emphasizes its engagement with literary and cultural theory. Specifically, I analyze how Pauls’ first novels –El pudor del pornógrafo (1984), El coloquio (1989), Wasabi (1994)– are strongly influenced by various theoretical discourses, especially the work of Roland Barthes. The guiding question of my dissertation’s first part is how one can narrate a fictional text without strictly appropriating narrative devices. Namely, I suggest that Pauls’ conception of literature is inevitably related to critical discourse. In the second part, I study a trilogy that Pauls wrote about the 1970s in Argentina: Historia del llanto (2007), Historia del pelo (2010), and Historia del dinero (2013). Here I focus on how Pauls uses the 1970s to propose a new conceptualization of the “political.” For Pauls, the “political” is not represented in the great events of a particular time but rather in the “effects” that these events produce; these effects are minor, almost imperceptible, and for that reason much more powerful as a literary event mechanism per se. From my point of view, this new conceptualization of the “political” contains in itself a problematic issue: the articulation between personal experience, history, and fiction. In conclusion, this interrelation between theory, politics, history, and fiction defines the path of my dissertation, which would have been just the “starting point” in my personal attempt to reconfigure the map of the Latin American literary contemporaneity.