THE PROCESS OF TRANSMISSON IN P'ANSORI, KOREAN VOCAL MUSIC, FOCUSSING ON HUNGBOGA
dc.contributor.advisor | Provine, Robert C | en_US |
dc.contributor.author | Chun, Min A | en_US |
dc.contributor.department | Music | en_US |
dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
dc.date.accessioned | 2004-08-27T05:36:57Z | |
dc.date.available | 2004-08-27T05:36:57Z | |
dc.date.issued | 2004-08-18 | en_US |
dc.description.abstract | The purpose of this study is to describe the transmission process of p'ansori, a form of Korean dramatic musical storytelling. Since p'ansori has been handed down by word of mouth, it has undergone various changes and variations. The socio-historical context surrounding p'ansori since its birth in the eighteenth century has had a great influence on the transformations of p'ansori over three hundred years. P'ansori performers, trained in a tradition of apprenticeship, have recreated and varied their materials, as well as continued what was transmitted to them in a particular school or master's singing style, known as che/je. These constant complex interactions between change, as flexible variation and individual creation, and stability, as sameness, have produced the p'ansori of today. | en_US |
dc.format.extent | 2278581 bytes | |
dc.format.mimetype | application/pdf | |
dc.identifier.uri | http://hdl.handle.net/1903/1822 | |
dc.language.iso | en_US | |
dc.subject.pqcontrolled | Music | en_US |
dc.title | THE PROCESS OF TRANSMISSON IN P'ANSORI, KOREAN VOCAL MUSIC, FOCUSSING ON HUNGBOGA | en_US |
dc.type | Thesis | en_US |
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