A MON AMI: DEDICATED WORKS FOR TROMBONE AND PIANO SINCE 1915 THAT BECAME STANDARD LITERATURE.

dc.contributor.advisorGekker, Chrisen_US
dc.contributor.authorCruz, Gilberto Alejandroen_US
dc.contributor.departmentMusicen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2025-01-25T06:31:15Z
dc.date.available2025-01-25T06:31:15Z
dc.date.issued2024en_US
dc.description.abstractDedications, and furthermore commissions, have played a vital role in expanding the repertoire for so many instruments but especially for the trombone. From the last over one hundred years we look at five dedicated works for trombone and piano since 1915 that became standard literature. Works include Cavatine for Trombone and Piano by Camille Saint-Saëns (Dedicated to George W. Stewart), Romance for Trombone and Piano by Axel Jørgensen (Dedicated to Anton Hansen), Sonata (Vox Gabrieli) for Trombone and Piano by Stepjan Šulek (Dedicated to William F. Cramer), Sonata for Trombone and Piano by Eric Ewazen (Dedicated to Michael Powell), and Red Dragonfly Sonata for Trombone and Piano by Amy Riebs Mills (Dedicated to Megumi Kanda.) With research on each work, dedicatee, and composer with interviews with Ronald Barron, Per Brevig, Eric Ewazen, and Megumi Kanda.en_US
dc.identifier.urihttp://hdl.handle.net/1903/33570
dc.language.isoenen_US
dc.subject.pqcontrolledMusicen_US
dc.titleA MON AMI: DEDICATED WORKS FOR TROMBONE AND PIANO SINCE 1915 THAT BECAME STANDARD LITERATURE.en_US
dc.typeDissertationen_US

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