SOLOS DE CONCOURS FOR FLUTE AT THE PARTS CONSERVATORY: TWO DECADES-1900s AND 1940s
SOLOS DE CONCOURS FOR FLUTE AT THE PARTS CONSERVATORY: TWO DECADES-1900s AND 1940s
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Date
2004
Authors
Chung, Ke-Hsing Kaye
Advisor
Montgomery, William
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Abstract
The topic of this dissertation is the concours pieces for flute at
the Paris Conservatory covering two decades. The works are used for exit
examination pieces for graduating students at the conservatory. The music
is chosen by the director, the professors in the performance area, and a
committee of other professors. These pieces still seem to be among the
more important pieces known by flutists in the twenty-first century, and they
are also frequently used as required audition pieces by conservatories,
orchestras, and competitions. I have performed the works used for
examination in two decades separated by almost half a century: The pieces
from 1900 to 1909 and from 1940-1949, This performance dissertation
contains three recital programs, and the recordings of the recitals are filed
electronicaIly. I have grouped them according to contrasting styles in three
recitals. Works performed are Agrestide (1942) by Eugene Bozza, Andante
et Scherzo (1945) by Francois J. Brun, Preude et Scherzo (1908) by Henri
Busser, Concertino (1902) by Cecile Chaminade, sixth Solo (1855) by Jules
Demersseman (it was on the concours of 1896, dates which are outside the
scope of this dissertation), Sonatine (1943) by Henri Dutilleux, Cantabile et
Presto (1904) by Georges Enesco, Andante et Scheno (1901) by Louis
Ganne, Fantaisie (1920) by Philippe Gaubert, Nocturne et Allegro
Scherzando (1906) by Philippe Gaubert, Chant de Linos (1944) by Andre Jolivet, Fantasiestuck (1947) by Henri Martelli, Eglogue (1909) by Jules
Mouquet, Concerto in A (1945-1949) by mile Passani, Ballade (1903) by
Albert Perhilou, Sonatine (1946) by Pierre Sancan, Andante Pastorale et
Scherzettim (1907) by Paul Taffanel, and Concertino in E Major (1945) by
Henri Tornasi. Cantabile et Presto was required in both 1904 and 1940, and
Andante et Scherzo was required in both 1901 and 1905.
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