REALITY INDEX
| dc.contributor.advisor | Keener, Cy | en_US |
| dc.contributor.author | Reising, Julia | en_US |
| dc.contributor.department | Art | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2026-07-03T05:38:11Z | |
| dc.date.issued | 2026 | en_US |
| dc.description.abstract | A small, wooden frame with decorative doors breaks up the blank space of the wall. It is fixed; it cannot be moved like other frames. We have learned to choreograph our lives around it. On the two doors are two small knobs—they suggest action; perhaps I should open them. Perhaps many hands before mine have opened them. Perhaps not. In my mind, the frame holds many things. I cannot count them all, the possibilities. I open the doors to expose the innards of the wall; it tells me the house is made of straw. The wall frays toward me. The doors no longer hide many things—just one. The frame and I share this now. It is not a thing of objecthood, rather, it is a thing of candor. I walk outside the house to find there are many of these doors in the world, exposing the unique constructions of the spaces we inhabit. This one is mine. This is a truth window. | en_US |
| dc.identifier | https://doi.org/10.13016/w5vt-mc5m | |
| dc.identifier.uri | http://hdl.handle.net/1903/36011 | |
| dc.language.iso | en | en_US |
| dc.subject.pqcontrolled | Art criticism | en_US |
| dc.subject.pqcontrolled | Philosophy | en_US |
| dc.subject.pquncontrolled | deer | en_US |
| dc.subject.pquncontrolled | dream | en_US |
| dc.subject.pquncontrolled | image | en_US |
| dc.subject.pquncontrolled | lens | en_US |
| dc.subject.pquncontrolled | reality | en_US |
| dc.subject.pquncontrolled | truth | en_US |
| dc.title | REALITY INDEX | en_US |
| dc.type | Thesis | en_US |
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