College of Arts & Humanities
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The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item Henry Theodore Tuckerman as Revealed in his Published Works(1959) Ellsworth, Richard Grant; Beall, Otho T.; American Civilization; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Henry Theodore Tuckerman, as revealed in his published works, was, in many ways, a model of the mid-nineteenth century American. In his travel accounts, his historical and biographical scholarship, his social and political attitudes, his artistic and literary criteria, is revealed his sincere allegiance to the Romantic Idealism which dominated his day. This allegiance is shown in his belief in the fundamental goodness and inevitable progress of mankind; in his basic individualism, an almost transcendental egocentrism, which mystically identified the human soul with God, and interpreted self-reliance in terms of intuitional supranatural apprehension; in his dichotomization of his realities, separating the Ideal from the practical, the intuitive from the reasonable, the commonplace from the beautiful, the here and now from the distant and the past; in his acceptance of Nature as the representation of the Ideal, and of the feminine as the symbol of the Beautiful; in his fealty to emotion and sympathy as the mystical keys to all human relationships; in his strict and didactic morality; and in his professed national ism and proclamation of divine purpose and destiny in America . Yet, he was conservative in his personal refusal to become involved in reformism, in either outright abolitionism or feminism; in his determined and maintained attitude of Brahmin aloofness from "the herd" and "the multitude"; in his willingness to submit himself to governmental mandate, to support, at least nominally, what was legal and generally accepted; and in his overly-developed and almost unnatural reticence which prevented his from ever achieving that intense ego-exploration imperative within the Romantic philosophy. His published works reveal him to have been profoundly influenced by three major factors in his private live: his mother's death, his Italian residence, and his deep aversion for the commercial life. Possibly, in his need for social (and, especially, feminine) acceptability, his adoration of the ideal woman, and, perhaps, his easy acceptance of the sentimental and the emotional. His Italian travels and residence introduced him to the artistic experience and instilled in him a determination to devote his life to the Beautiful and to the encouragement of its creation and appreciation. And His aversion to the common precepts and standards demanded by American commercialistic enterprise influenced this decision, and shaped his life philosophy in its declaration of an over-stressed materiality in American life, and consequent under-development of the spiritual and the intellectual. With the exception of some of his better poems, Tuckerman's travel accounts best reveal his personal attitutdes and feelings toward his time and his world. As a scholar, Tuckerman read widely, but not deeply. His recorded perceptions almost always appear to be reflections of the parallel conclusions of his greater contemporaries. But he considered his theories his own, and, although he often documented a though or a conclusion, he never admitted to an intellectual debt or spiritual guidance. Tuckerman's greatest significance is in his constant effort to popularize the Beautiful, and thus to enrich American life. He sought always to broaden the public perceptions, to increase American aesthetic appreciation, to combat American reoccupation with commercialism. He was ever the propagandizer for good taste and cultural cultivation. His published works all evidence this. As a recorder of travels, he encouraged an appreciation for European cultural achievement. As a historian and biographer, he was narrative and moralistic. As a literary and art critic, he ever diligently encouraged the writer and the artist, and always sympathetically explained and interpreted to their audience. As a poet and author in his own right, although he often proved sympathetic with the sentimental demands of his age, he, nevertheless, in spite of such lapses, always strove to broaden the public outlook toward the Beautiful and the Cultural as he perceived them to be. That his audience appreciated his effort is readily apparent in his evident contemporary popularity. But his death and the end of his social influence, the broad standard and contemporary nature of his appeal , and the swiftly changing public interest, all combined to prove his fame ephemeral, and to banish him to a modern obscurity unworthy of his sincere intent and effort, and obvious contemporary accomplishment. Henry Theodore Tuckerman deserves to be remembered not only for his yet-standard biographical scholarship, and his service as a historian of art and artists in America, but also for his exemplary thought and attitude, the cultured reflections of the literary and artistic standards of mid-nineteenth century America.Item British Influence in Mesopotemia 1900-1914(1957) Amin, Abdul Amir; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Although several European powers showed early interest in the Persian Gulf and Mesopotamia, its natural land extension, Britain was more successful than her rivals in exploiting commercial and political possibilities in the area, and over a period of three centuries gradually emerged as the dominant foreign power there.Item A Comparison of Irony in W.M. Thackeray and Thomas Mann (Until 1918)(1950) Mohr, William; Foreign Study; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)In our comparison of the irony found in Mann and Thackeray we will first discuss irony in its more concrete aspects, ironic content and then ironic form. Further, and particularly in connection with Mann, we will speak about the nature and position of the artist. This topic is actually another aspect of ironic content, but it is such an important problem in Mann's early works that it deserves special consideration. And finally, we will return to Mann's metaphysical irony.Item The United States Army's Contribution to the Marshall Mission in China January 1, 1946, to March 1, 1947(1957) Wilson, Wesley Carlton; Prange, Gordon W.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Item DER HAUPTMANN VON KOEPENICK Wirklichkeit und Dichtung am Beispiel des Schauspiels von Carl Zuckmayer(1954) Werner, Sibylle B.; Zucker, Adolph E.; Languages, Literatures, & Cultures; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Die deutsche Dramatik des 20. Jahrhunderts uebt gegenueber Gegenwartsstoffen sichtlich eine starke Zurueckhaltung aus. Zu den Urnachen, die hier ununtersucht bleiben koennen, gehoert gewiss die, dass die Dramatiker hier jene historische Distanz vermissen, die es ihnen ermoeglicht, eine Begebenheit aus dem Tagesgeschehen und aus dem nuechtemen Bereich der Wirklichkeit in einen zeitlosen Raum zu ruecken. Carl Zuckmayers Der Haupmann Koepenick ist zweifellos eines der bedeutendsten und dichterisch geschlossensten Schauspiele, das ein Ereignis unserer Zeit, naemlich des 20. Jahrhunderts, dramatisch gestaltet hat. Der Dichter gehoert der bisher letzten grossen deutschen Schriftstellergeneration an, die - im ausgehenden vorigen Jahrhundert geboren -- ein ihr Dasein bestinunendes Grunderlebnis im Trommelfeuer des Ersten Weltkrieges empfing. Er und Berthold Brecht, der sich ganz der marxistischen Ideologie verschrieben hat, sind heute die fuehrenden deutschen Dramatiker. Zuckmayer, der im Dritten Reich Deutschland verliess und vor mehr als einem Jahrzehnt amerikanischer Staatsbuerger wurde, wurde nach dem Kriege auf den deutschen Buehnen haeufiger aufgefuehrt, als irgend ein anderer lebender deutscher Autor. Wenn auch sein im Zweiten Weltkrieg spielendes Stueck Des Teufels General das deutsche Publikum der Nachkriegszeit staerlrnr erschuetterte, als seine uebrigen Dramen, so erscheint Der Hauptmann von Koepenick, den er ein deutsches Maerchen nennt, als am klarsten durchkomponiert und in der Verdichtung von Wirklichkeit und Fiktion kuenstlerisch am besten geglueckt. Die ausserordentliche Buehnenwirksamkeit dieses Werkes verhilft ihm auch nach dem Zweiten Weltkrieg zu staendigen Neuinszenierungen, die die unverminderte Frische dieses Schauspiels beweisen. So erscheint es nicht ohne Reiz, das alte Problem Wirklichkeit und Dichtung an diesem Stueck zu untersuchen. In den ersten grossen Abschnitt der Arbeit wird versucht werden, aus dem uns zur Verfuegung stehenden Material -- Zeitungen, die Erzaehlung Wilhelm Schaefers und die Selbstbiographie -- den Lebensweg des Schusters Wilhelm Voigt einschliesslich seiner Tat, die ihn beruehmt machte, und des Prozesses der durch die Presse gingen, darzustellen. Der zweite Abschnitt dient der Analyse von Zuclanayers Schauspiel. Hier werden wir weniger eine genaue und detaillierte Wiedergabe des Inhaltes bringen, als vielmehr an Hand der Handlung des Stueckes versuchen Dramaturgie und inneren Gehalt zu erklaeren. Weiter umfasst das Kapitel einige theatergeschichtliche Anmerkungen, die sich besonders mit der Wirkung und dem Erfolg des Stueckes und seines Helden beiseiner Urauffuehrung im Jahre 1931 beschaeftigen. Im dritten und letzten Hauptkapitel versucht die Verfasserin schliesslich Wirklichkeit und Dichtung des Stoffes auf einen gemeinsamen Nenner zu bringe. Besonderer Betonung liegt hier auf der Person Wilhelm Voigts, wie sie uns aus den historischen Quellen uebermittelt wurde, und wie Zuckmayer diese Gestalt umformte. Nach einer zusammenfassenden Schlussbetrachtung folgt dem Quellenverzeichnis ein kurzer Anhang, mit biographischen Notizen ueber den Autor Carl Zuckmayer, einer Quellenkritik sowie der Szenenfolge des Schauspiels und einer Reproduktion des Titelbildes der Selbstbiographie Voigts.Item Elard von Oldenburg-Januschau - The Portrait of a Junker under William II(1954) von Mayr, Wilfred Ernest von Mayr; Bauer, Richard H.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Item John Fellows: A Minor American Deist(1956) Stevens, George L.; Aldridge, Alfred O.; English; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Item German Public Opinion on the Fourteen Points January 1918 to October 1918(1956) Moeller, Walter Otto; Prange, Gordon W.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Item The Political Career of Joseph I. France of Maryland, 1906-1921(1955) Geoghegan, Sally B.; Merrill, Horace S.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Item WILHELM WEITLING: HIS DOCTRINES AND AGITATION IN SWITZERLAND(1950) Flavin, Harold; Cunz, Dieter; Languages, Literatures, & Cultures; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)