The Pre-Raphaelite Effect

dc.contributor.advisorARNOLD, ELIZABETHen_US
dc.contributor.authorBernal, Lindsayen_US
dc.contributor.departmentCreative Writingen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2007-06-22T05:38:36Z
dc.date.available2007-06-22T05:38:36Z
dc.date.issued2007-05-09
dc.description.abstractThis collection begins with love and ends with death. It attempts to depict melodrama in a fresh, musical way, as the speaker moves through personal relationships and various cities: Lowell, Massachusetts; Queens; Brooklyn; Venice; Ulaanbaatar, Mongolia; Washington, DC; and finally, Acapulco and a remote beach town on the Oaxacan coast. Place is its own character here, perhaps the second-most important antagonist. The primary antagonist, of course, is the self.en_US
dc.format.extent229838 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/1903/6968
dc.language.isoen_US
dc.subject.pqcontrolledFine Artsen_US
dc.titleThe Pre-Raphaelite Effecten_US
dc.typeThesisen_US

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