The Pre-Raphaelite Effect
dc.contributor.advisor | ARNOLD, ELIZABETH | en_US |
dc.contributor.author | Bernal, Lindsay | en_US |
dc.contributor.department | Creative Writing | en_US |
dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
dc.date.accessioned | 2007-06-22T05:38:36Z | |
dc.date.available | 2007-06-22T05:38:36Z | |
dc.date.issued | 2007-05-09 | |
dc.description.abstract | This collection begins with love and ends with death. It attempts to depict melodrama in a fresh, musical way, as the speaker moves through personal relationships and various cities: Lowell, Massachusetts; Queens; Brooklyn; Venice; Ulaanbaatar, Mongolia; Washington, DC; and finally, Acapulco and a remote beach town on the Oaxacan coast. Place is its own character here, perhaps the second-most important antagonist. The primary antagonist, of course, is the self. | en_US |
dc.format.extent | 229838 bytes | |
dc.format.mimetype | application/pdf | |
dc.identifier.uri | http://hdl.handle.net/1903/6968 | |
dc.language.iso | en_US | |
dc.subject.pqcontrolled | Fine Arts | en_US |
dc.title | The Pre-Raphaelite Effect | en_US |
dc.type | Thesis | en_US |
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