The feminine soul: love, courage, and sacrifice in three centuries of vocal repertoire

dc.contributor.advisor	Mabbs, Linda
dc.contributor.author	Kim, Eun Hee
dc.date.accessioned	2009-03-03T14:07:59Z
dc.date.available	2009-03-03T14:07:59Z
dc.date.issued	2006
dc.description.abstract	Music is a unique form of communication. It sings from soul to soul, touching each of us in uniquely different ways. While researching the life of Clara Schumann, I became intrigued with the idea that feminine qualities, as expressed by her music, could be found in other composers work for the soprano voice. I explored this possibility in a lecture recital and followed up this work by performing two operatic roles and a recital.	en
dc.format.extent	2 bytes
dc.format.mimetype	text/plain
dc.identifier.uri	http://hdl.handle.net/1903/8941
dc.language.iso		en
dc.rights	NOTICE: Recordings accompanying this record are available only to University of Maryland College Park faculty, staff, and students and cannot be reproduced, copied, distributed or performed publicly by any means without prior permission of the copyright holder.
dc.subject	music	en
dc.subject	vocal	en
dc.title	The feminine soul: love, courage, and sacrifice in three centuries of vocal repertoire	en
dc.type	Dissertation	en