Session 10. Postmodernism in the Performing Arts Archive

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dc.contributor.authorTesta, Matthew V.
dc.contributor.authorMcNellis, Rachel
dc.contributor.authorGibson, Christina Taylor
dc.contributor.authorWiesner, Susan
dc.date.accessioned2021-04-29T14:52:54Z
dc.date.available2021-04-29T14:52:54Z
dc.date.issued2021-04-13
dc.description.abstractAs Jacques Derrida observed in Archive Fever, the decision to preserve something and incorporate it into cultural memory is an act of power. Although traditional archival practice privileges institutional records kept in original order, post-modern critiques like Derrida’s have caused scholars and archivists to formulate creative approaches to description, discovery, and access. Such techniques have particular implications for the performing arts archive. Through case studies and life experiences, each of the scholar-archivists on this panel will explore post-modern approaches within the archival environment.en_US
dc.identifierhttps://doi.org/10.13016/u421-plck
dc.identifier.urihttp://hdl.handle.net/1903/26991
dc.language.isoen_USen_US
dc.relation.isAvailableAtDigital Repository at the University of Maryland
dc.relation.isAvailableAtUniversity of Maryland (College Park, Md)
dc.titleSession 10. Postmodernism in the Performing Arts Archiveen_US
dc.typePresentationen_US

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MARAC 2021 Spring - Virtual Meeting 12-16 April