Reading the Contemporary Body in the Works or Eduardo Lalo and Rita Indiana Hernández

dc.contributor.advisorQuintero-Herencia, Juan Carlosen_US
dc.contributor.authorLewis, Matthew Cen_US
dc.contributor.departmentSpanish Language and Literatureen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2021-09-17T05:37:40Z
dc.date.available2021-09-17T05:37:40Z
dc.date.issued2021en_US
dc.description.abstractThis dissertation is interested in specificities of Caribbean bodies and the strategies that are used to perform, imagine, and make sensible the textual body so that it may be read through archipelagic contexts. I posit that the multi-disciplinary works of Dominican Rita Indiana Hernández (Santo Domingo 1977) and Puerto Rican Eduardo Lalo (Cuba 1960) turn a critical and creative eye to the corporealities that have been obscured and overshadowed by exotified, mainstream, and normative bodies and their representation. I argue that we tell stories with our bodies, and, likewise, the body is a text to be performed, read and made sensible. However, what we understand for the body—its capabilities and its limits—is a direct product of how these narratives have been politically and socially constructed, appropriated, and implemented in hegemonic discourses. My intervention lies questioning what narratives and images or the body are produced and privileged in these texts: how do these corporealities become sensible and make sense of the other bodies around them? What are the potential corporeal poetics and politics that may tie these texts together? By looking at the representation of anonymous bodies, the creation of Puerto Rican body-images, and the Dominican bodies situated within primal soundscapes, I suggest that these specific texts break with both preconceived and prescribed notions of a “Caribbean identity” and what it may mean to be Caribbean. This dissertation aims to interrogate the limits of hegemonic discourses of nationality and history by engaging with the ways in which the texts of Hernández and Lalo perform their own relationship to the contemporary, always crossing and challenging limits, imagining transitive bodies in constant motion, and implementing diverse strategies to produce and inhabit contemporary intervals that fiercely reject fixed and prescriptive notions of what a Caribbean body is, or of what it is capable.en_US
dc.identifierhttps://doi.org/10.13016/ux2r-a488
dc.identifier.urihttp://hdl.handle.net/1903/27832
dc.language.isoenen_US
dc.subject.pqcontrolledCaribbean literatureen_US
dc.subject.pqcontrolledLatin American studiesen_US
dc.subject.pqcontrolledLatin American literatureen_US
dc.subject.pquncontrolledBodyen_US
dc.subject.pquncontrolledBody-imageen_US
dc.subject.pquncontrolledCaribbeanen_US
dc.subject.pquncontrolledContemporaryen_US
dc.subject.pquncontrolledCorporealityen_US
dc.subject.pquncontrolledIntervalen_US
dc.titleReading the Contemporary Body in the Works or Eduardo Lalo and Rita Indiana Hernándezen_US
dc.typeDissertationen_US

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