Argues that from defense and media coverage of the Vietnam War, an image of the character and activities of those fighting the war emerged. Within the defense of the war two justifications fought for dominance: a romantic call to idealism and a pragmatic materialist call to complete a task started. These contradictory motivations for the war colored the image of the soldier who fought the war as he became a concrete symbols caught in the contradiction. After the war, survivors had to then struggle with this image produced to defend the war.