The Effects of World War II on Significant Composers of Music for the Flute

Loading...
Thumbnail Image

Files

Edmiston_umd_0117E_17054.pdf (334.81 KB)
No. of downloads: 3387
HindemithI.wav (46.03 MB)
No. of downloads:
HindemithII.wav (45.66 MB)
No. of downloads:
HindemithIII.wav (33 MB)
No. of downloads:
HindemithIV.wav (15.89 MB)
No. of downloads:

Publication or External Link

Date

Advisor

Votta, Michael

Citation

Abstract

World War II was one of the most devastating events in history, and it profoundly affected European culture and art. I examined the period around World War II, and the effects it had on the lives of composers and their flute music. I investigated who wrote for flute during the war, what they were composing, and what effects, if any, the war had on them and their music. After examining the biographies of nine composers and studying eleven of their works, I found that in some cases the war affected their flute music, but in others the music shows no apparent influences of the war. Interestingly, most of the flute music written by composers affected by World War II was happy and joyful rather than dark and dismal.

I performed three recitals during my research. I studied nine composers and performed some of their most important works for flute. Recital One is “Sonatas for Flute.” Recital Two is “Virtuosic Flute Music,” and my final recital is “Emotional Overview of Flute Music During World War II.” I discovered that many of these composers had to change their lives in drastic ways due to the war, but most them wrote music that had did not reflect the horror or destruction of war—perhaps music represented an escape from their horrible circumstances, or an effort to recall better times. I also found that a few of these composers used music to mock the Nazi regime. They used music as an emotional outlet, which could have been dangerous for them during that time. Other composers used music to share their own personal experiences while fighting in the war.

Notes

Rights

NOTICE: Recordings accompanying this record are available only to University of Maryland College Park faculty, staff, and students and cannot be reproduced, copied, distributed or performed publicly by any means without prior permission of the copyright holder.