Art and Everyday
| dc.contributor.advisor | Gavin, Dawn | en_US |
| dc.contributor.author | Conaway, Sarada DeviDasi | en_US |
| dc.contributor.department | Art | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2008-10-11T05:34:34Z | |
| dc.date.available | 2008-10-11T05:34:34Z | |
| dc.date.issued | 2008-08-21 | en_US |
| dc.description.abstract | Responding to the 1983 essay The Real Experiment, written by the recently deceased artist Allan Kaprow, I discuss the "lifelike art" tradition and the lifelike art I have created while in graduate school. This thesis also compares and contrasts two western avant-garde art traditions. Various technological and cultural changes are proposed as reasons for lifelike art's recent popularity. I conclude that lifelike art is becoming vernacular, while retaining quality. | en_US |
| dc.format.extent | 1021643 bytes | |
| dc.format.mimetype | application/pdf | |
| dc.identifier.uri | http://hdl.handle.net/1903/8459 | |
| dc.language.iso | en_US | |
| dc.subject.pqcontrolled | Art History | en_US |
| dc.title | Art and Everyday | en_US |
| dc.type | Thesis | en_US |
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