Echoes of Celestial Arias - The Bassoon's Harmonious Journey Through Adaptation

dc.contributor.advisorGrimmer, Joseph JGen_US
dc.contributor.advisorFrisof, Sarah SFen_US
dc.contributor.authorRen, Qunen_US
dc.contributor.departmentMusicen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2024-09-18T05:33:56Z
dc.date.available2024-09-18T05:33:56Z
dc.date.issued2024en_US
dc.description.abstractThis performance dissertation examines the potential of musical expression and technical skills on bassoon through a series of arrangements for the instrument. Each program features original works in addition to vocal and other instrumental works that were transcribed for bassoon. The works performed and discussed in this document include: Steven Dibner’s arrangement of Fantasia di Bravura on motives of Donizetti’s La Figlia del Reggimento; William Winstead’s First Operatic Anthology and arrangement of Carmen Fantasy; Antonio Torriani’s Divertimento on various themes from Lucie de Lammermoor; John Steinmetz’s Suite from an Imaginary Opera; J.S. Bach’s Sonata for Viola de gamba, BWV 1029 and his Oboe Concerto BWV 1053r; Maurice Allard’s Variation on a theme by Paganini (Capriccio 24); Fritz Kreisler’s Liebesleid and Liebesfreud; Johannes Brahms’ Sonata for Piano and Violoncello in E minor, op. 38; C.P.E. Bach’s Cello Sonata in A minor, H. 432; and G.F. Handel’s Trio Sonata in G minor, HWV 393.en_US
dc.identifierhttps://doi.org/10.13016/5axz-ovj4
dc.identifier.urihttp://hdl.handle.net/1903/33181
dc.language.isoenen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledArrangementen_US
dc.subject.pquncontrolledBassoonen_US
dc.subject.pquncontrolledInstrumental Musicen_US
dc.titleEchoes of Celestial Arias - The Bassoon's Harmonious Journey Through Adaptationen_US
dc.typeDissertationen_US

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