“LOST PATTERNS” AND “FINALLY, FAIRIES!”: AN EXPLORATION OF PROCESS, TRUST, AND COLLABORATION
| dc.contributor.advisor | Mezzocchi, Jared M | en_US |
| dc.contributor.advisor | Conway, Daniel | en_US |
| dc.contributor.author | Poch, Andres | en_US |
| dc.contributor.department | Theatre | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2022-06-22T05:43:23Z | |
| dc.date.available | 2022-06-22T05:43:23Z | |
| dc.date.issued | 2022 | en_US |
| dc.description.abstract | The following thesis documents my design process and the discoveries I had as the scenic designer for “Finally, Fairies!” conceived by Tristan Koepke, and the scenic and projections designer for “Lost Patterns” conceived by Rebecca Hill. Both productions opened on April 11th, 2021 as part of the Spring M.F.A. Dance Thesis Concert at the Dance theater at the Clarice Smith Performing Arts Center at the University of Maryland. | en_US |
| dc.identifier | https://doi.org/10.13016/ixvt-spgo | |
| dc.identifier.uri | http://hdl.handle.net/1903/29036 | |
| dc.language.iso | en | en_US |
| dc.subject.pqcontrolled | Design | en_US |
| dc.subject.pqcontrolled | Dance | en_US |
| dc.title | “LOST PATTERNS” AND “FINALLY, FAIRIES!”: AN EXPLORATION OF PROCESS, TRUST, AND COLLABORATION | en_US |
| dc.type | Thesis | en_US |
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