Entertaining Ghosts: Gettysburg Ghost Tours and the Performance of Belief
dc.contributor.advisor | Frederik Meer, Laurie | en_US |
dc.contributor.author | Thompson, Robert Charles | en_US |
dc.contributor.department | Theatre | en_US |
dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
dc.date.accessioned | 2008-06-20T05:38:31Z | |
dc.date.available | 2008-06-20T05:38:31Z | |
dc.date.issued | 2008-05-05 | en_US |
dc.description.abstract | Gettysburg is the site of the largest battle and death toll during the entire American Civil War. Ghost tours are a tourism business and performance genre that arose out of the notion that the spirits of these dead soldiers have lingered on since the battle. Some tourists join a ghost tour in hopes of encountering a ghost, but almost all tourists expect to be entertained. My project is to define the ghost tour as a distinct genre and examine each of the elements that comprise a ghost tour performance. I argue that the most effective ghost tour is the tour that is best able to render ghosts as a potential truth and perform potential truth as a form of entertainment. How do ghost tour guides render ghosts' presence a genuine possibility for their tour groups? How might we understand performance and entertainment as a means to activate sincere belief? | en_US |
dc.format.extent | 3212661 bytes | |
dc.format.mimetype | application/pdf | |
dc.identifier.uri | http://hdl.handle.net/1903/8217 | |
dc.language.iso | en_US | |
dc.subject.pqcontrolled | Theater | en_US |
dc.subject.pquncontrolled | ghosts | en_US |
dc.subject.pquncontrolled | tourism | en_US |
dc.subject.pquncontrolled | paranormal | en_US |
dc.subject.pquncontrolled | belief | en_US |
dc.subject.pquncontrolled | ghost tour | en_US |
dc.subject.pquncontrolled | Gettysburg | en_US |
dc.title | Entertaining Ghosts: Gettysburg Ghost Tours and the Performance of Belief | en_US |
dc.type | Thesis | en_US |
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