dc.contributor.advisor	Klank, Richard	en_US
dc.contributor.author	Ratcliff, Jeremy R	en_US
dc.contributor.department	Art	en_US
dc.contributor.publisher	Digital Repository at the University of Maryland	en_US
dc.contributor.publisher	University of Maryland (College Park, Md.)	en_US
dc.date.accessioned	2006-06-14T06:09:49Z
dc.date.available	2006-06-14T06:09:49Z
dc.date.issued	2006-05-15	en_US
dc.description.abstract	Recent works have presented personal observations of the world's inner-functionality, as connections between my experiences which existentially have little relationship or concern for one another. By breaking down the world into smaller, manageable pieces, the world becomes empirical and credence is given to every basic form. These formulaic, analytical observations have built up a language that mimics structure and pattern. While these works visually have a plethora of poststructuralist appropriations from geometric abstraction, lozenge camouflage, other works by artists, crystalline form, and cartography, it is impossible to dismiss any one reference conceptually. What results from the entanglement between conceptual and visual is a calculated disorder, a seemingly recognizable structure with an inherent chaos disrupting the comprehension.	en_US
dc.format.extent	2350122 bytes
dc.format.extent	1200916 bytes
dc.format.extent	1393253 bytes
dc.format.extent	632497 bytes
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dc.format.mimetype	application/pdf
dc.format.mimetype	image/jpeg
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dc.identifier.uri	http://hdl.handle.net/1903/3618
dc.language.iso	en_US
dc.subject.pqcontrolled	Fine Arts	en_US
dc.title	An Apology of Painting	en_US
dc.type	Thesis	en_US

An Apology of Painting

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