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Underneath The Music

dc.contributor.advisorPinder, Jeffersonen_US
dc.contributor.authorROBINSON, ELLINGTON RUDIen_US
dc.date.accessioned2008-06-20T05:39:33Z
dc.date.available2008-06-20T05:39:33Z
dc.date.issued2008-05-21en_US
dc.identifier.urihttp://hdl.handle.net/1903/8251
dc.description.abstractI see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life.en_US
dc.format.extent13251977 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.titleUnderneath The Musicen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentArten_US
dc.subject.pqcontrolledSociology, Ethnic and Racial Studiesen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pqcontrolledArchitectureen_US


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