Skip to content
University of Maryland LibrariesDigital Repository at the University of Maryland
    • Login
    View Item 
    •   DRUM
    • Theses and Dissertations from UMD
    • UMD Theses and Dissertations
    • View Item
    •   DRUM
    • Theses and Dissertations from UMD
    • UMD Theses and Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    CHASING THE RAINBOW: GENDER-RELIGIOSITY AND THE CONSTRUCTION OF IDENITY IN THE MUSIC AND RITUAL OF THE METROPOLITAN COMMUNITY CHURCH OF NORTHERN VIRGINIA

    Thumbnail
    View/Open
    umi-umd-2232.pdf (3.885Mb)
    No. of downloads: 3411

    Date
    2005-04-01
    Author
    Lotrecchiano, Gaetano Romano
    Advisor
    Robertson, Carolina
    Jensen, Luke
    Metadata
    Show full item record
    Abstract
    The intersection of belief, identity, and performance enacted in the Metropolitan Community Church of Northern Virginia (MCC NOVA) - a lesbian, gay, bisexual, transgender, queer community of faith, provides an arena for ethnomusicological inquiry into ritual performance and its relationship with identity construction. As a safe-haven for persons marginalized by mainstream religious traditions, MCC NOVA serves as an alternative to historically oppressive and suppressive worshipping environments where LGBTQ lifestyle is often considered antithetical to the goals of religiosity. It grounds ritual and musical practices in its core values: elastic theology, inclusiveness, diversity, community, member-ministers, and love and acceptance. These core values are the basis of a variety of performative events which allow for the self-fashioning of identity and spiritual exploration on both an individual and corporate level. Affected by a variety of "cradle traditions", this LBGTQ group draws on a complex assortment of sacred musics and ritual practices which form a unique gender-religiosity as MCCers journey to describe and re-invent their collective self. MCC NOVA intensifies the experience of faith through its multi-gendered condition, alternative spiritualities, and idiosyncratic performance events by fashioning a Judeo-Christian-based LBGTQ spirituality in light of freedoms which allow for exploration beyond the boundaries of the Christian ordo. This project deals with a series of unexplored important ethnomusicological questions concerning the significance, process, problems, negotiations, and repercussions involved in performing a variety of ritual musics and acts in light of MCC NOVA's central core values. Foremost is the question of the relationship between individual existenz and corporate identity and the role this relationship plays in ritual. The aesthetics which promote this process are a culmination of blended beliefs rooted in LBGTQ lifestyle, concerns about gender, religious priorities, and the historical faith traditions of the congregants. Performances vary in their ability to describe the intersection of these major contributions to identity construction. Therefore, the investigation of a truly gender-religious stance requires a consideration of the behavioral, ritual-musical, and ontological realities of MCC NOVA membership as they interact to construct an identity where liturgy is both source and outcome of this unique religiosity.
    URI
    http://hdl.handle.net/1903/2373
    Collections
    • Music Theses and Dissertations
    • UMD Theses and Dissertations

    DRUM is brought to you by the University of Maryland Libraries
    University of Maryland, College Park, MD 20742-7011 (301)314-1328.
    Please send us your comments.
    Web Accessibility
     

     

    Browse

    All of DRUMCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

    My Account

    LoginRegister
    Pages
    About DRUMAbout Download Statistics

    DRUM is brought to you by the University of Maryland Libraries
    University of Maryland, College Park, MD 20742-7011 (301)314-1328.
    Please send us your comments.
    Web Accessibility