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dc.contributor.advisorRichardson, William Cen_US
dc.contributor.authorPantelis, Irene Noemien_US
dc.date.accessioned2019-06-22T05:42:34Z
dc.date.available2019-06-22T05:42:34Z
dc.date.issued2019en_US
dc.identifierhttps://doi.org/10.13016/s0q9-ankb
dc.identifier.urihttp://hdl.handle.net/1903/22231
dc.description.abstractMy artwork probes the connection between daily life and what I perceive as the larger grid out there—a mesh that entangles all peoples, beings and things, cuts across all time, and is always in flux. Drawing from my everyday life and experiences as a Latin American immigrant, I incorporate materials from my suburban home environment in my multidisciplinary approach. I create organic forms and grids that abstract, excavate, ground and find universal truths in the quotidian. They also serve as platforms for engaging obliquely with history, science, archeology, philosophy, and magic realism. My artwork invites viewers to reach interpretations based on their own associations, experiences, and feelings. It thus brings attention to the power of our imagination to infuse the material world, particularly nature, with fluid possibilities of meaning and subjectivity.en_US
dc.language.isoenen_US
dc.titleHow Far Does the Grid Go?en_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentArten_US
dc.subject.pqcontrolledArt historyen_US
dc.subject.pqcontrolledPhilosophyen_US
dc.subject.pquncontrolledchaosen_US
dc.subject.pquncontrolledfluiden_US
dc.subject.pquncontrolledfluxen_US
dc.subject.pquncontrolledgriden_US
dc.subject.pquncontrolledprocess arten_US
dc.subject.pquncontrolledregenerationen_US


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