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"Who wants real? I want magic!" Musical Madness in _A Streetcar Named Desire_

dc.contributor.advisorDeLapp, Jenniferen_US
dc.contributor.authorMaiman, Nichole Marieen_US
dc.date.accessioned2004-06-04T05:37:57Z
dc.date.available2004-06-04T05:37:57Z
dc.date.issued2004-04-30en_US
dc.identifier.urihttp://hdl.handle.net/1903/1425
dc.description.abstractIn both the 1947 play and 1998 opera, A Streetcar Named Desire, both Tennessee Williams and André Previn depict the mental decline of the fragile Blanche DuBois through her desperate cries for human affection, her loss of sanity deriving from the constant struggle between male society's prescriptions for female behavior, and her own internalization of these roles. The constant clash between Blanche's thought and deed her façade of the perfect Southern belle hiding nymphomaniacal tendencies along with her rape, also contributes to her to madness. In this paper I explore Blanche's character and both Williams's and Previn's use of music to illustrate her lunacy. I then conclude with a consideration of the writings of prominent literary, theater, music, and feminist writers to show how gender roles and sexual violence serve as catalysts for the female madness manifested in A Streetcar Named Desire.en_US
dc.format.extent457387 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.title"Who wants real? I want magic!" Musical Madness in _A Streetcar Named Desire_en_US
dc.typeThesisen_US
dc.relation.isAvailableAtDigital Repository at the University of Marylanden_US
dc.relation.isAvailableAtUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentMusicen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pqcontrolledTheateren_US
dc.subject.pqcontrolledPsychology, Behavioralen_US
dc.subject.pquncontrolledAndre Previnen_US
dc.subject.pquncontrolledTennessee Williamsen_US
dc.subject.pquncontrolledBlanche DuBoisen_US
dc.subject.pquncontrolledfemale madnessen_US
dc.subject.pquncontrolledoperaen_US
dc.subject.pquncontrolledpsychologyen_US


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