American Studies
Permanent URI for this communityhttp://hdl.handle.net/1903/2209
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Item Revisiting the Reservation: The Lumbee Community of East Baltimore(2020) Minner, Ashley Colleen; Williams Forson, Psyche; Pearson, Barry L; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)“Revisiting the Reservation” is an analysis of the relationship between Baltimore’s Lumbee Indian community and the neighborhood where the community settled following the second World War. It is an inquiry into the roles of memory and place in the formation of identity. Vestiges of the Lumbee tribal homeland in North Carolina have become part of the built environment in East Baltimore as a result of the presence of Lumbee people. Tangible aspects of East Baltimore now also exist in the Lumbee tribal homeland. Lumbee people of East Baltimore are the living embodiment of both places. Over time, the community’s connection to the neighborhood has changed due to a complex set of factors ranging from Urban Renewal to upward mobility. This dissertation asks how the community’s identity has been affected. American Indian identity, constructed through a colonial lens, necessarily diminishes over time due to changing connections. The Baltimore Lumbee community illustrates that identity is actually an additive, adaptive process; heritage is living and culture continually evolves. This dissertation utilizes an interdisciplinary framework synthesized from the fields of American Indian Studies and Public Folklore to consider questions of heritage using a decolonial lens. The Lumbee Tribe of North Carolina is introduced via the tribal homeland and the social and economic conditions that prompted a mass migration to East Baltimore. East Baltimore is introduced via an abbreviated chronicle of the presence of American Indian people and other racial and ethnic groups leading up to the presence of Lumbee. Drawing primarily on oral history interviews and archival research, experiences of Lumbee arriving to Baltimore in the postwar years are highlighted, as are the safe havens they adopted, established and stewarded to exist freely and in community with one another away from “home.” The research process to map Baltimore’s former “reservation” and develop a walking tour to commemorate its sites is detailed as a project of reclamation of history, space, and belonging. An analysis of the expressive culture of subsequent generations of Baltimore Lumbee, including fashion, material possessions, food, and speech, reveals that memory and place play significant roles in the formation of identity. As connection to place changes over time, memory of place within identity prevails. Communities must share memory to understand how to engage in a future.Item Museums, Social Media, and the Fog of Community(2011) Wong, Amelia Selene; Sies, Mary C; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In the early twenty-first century, museums increasingly turn to "social media" to engage audiences and in these efforts they routinely imagine them as "communities." This dissertation tends to the politics of that choice, which extends a long history of museums employing community as a strategy towards institutional reform. Museums invoke community in numerous ways but without typically articulating those meanings, even though they influence the implementation and evaluation of social media projects. I argue that this lack of articulation creates a "fog" over practices--an ambiguous and confusing context of work--in which community operates as a "self-evident good," but serves traditional interests as much as transformative ones. To expose the many ideas that lay within this fog, I examine how American museums invoked community throughout the last century, showing how they use it both to reinforce their power and alter relations with audiences. After exploring how community has been conceptualized through networked digital media and social media--technologies and a culture that emphasize openness, communication, collaboration, and the materialization of digital bodies--I show how museums continue to use community in complex ways. As social media conflate community with communication--specifically "face-to-face," or immediate, communication, I argue they influence museums to over-value visible acts of communication, which narrows their understanding of online visitor engagement and dilutes the potential of community to shape projects that more conscientiously serve audiences and institutional reform. To illustrate the complexity of these ideas at work, I present three case studies of museums using social media to construct community: the Getty Center's blog, A Different Lens; the Japanese American National Museum's website, Discover Nikkei; and the website of the Science Museum of Minnesota's Science Buzz. I expose the definitions of community at work in each, examine how they influence the use of media, and work to limit and serve the project's various democratizing goals. The conclusion offers a nascent problematique that suggests more critical approaches museums may take for invoking community and using social media towards democratizing aims.