College of Arts & Humanities
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The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item PUBLIC MOBILITY AND THE IMPACT ON SOCIAL NETWORKS: UNDERSTANDING THE SOCIETAL AND TRANSNATIONAL COMMUNICATION OF MIGRANT NETWORKS FROM A QUALITATIVE APPROACH(2023) Iannacone, Jeannette Isabelle; Sommerfeldt, Erich J; Communication; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In considering the realities of 21st century society, research cannot overlook how livelihoods are becoming increasingly defined by one’s (in)ability for and agency over movement, i.e. mobility, especially on the transnational scale. Simultaneously, the relational turn of public relations scholarship has emphasized a network perspective, examining how a set of relations among social actors—be it people, groups, or organizations—create systems that comprise, maintain, and/or disrupt society (Yang & Taylor, 2015). As such, public relations should be inclusive of the depth of multiple, rich, and mobile relationships in social networks that span national borders. Yet the development of the network perspective in public relations has not been without its limitations, notably the absence of public perspectives, actions, and realities—all of which impact the communicative interactions that produce their social networks. This research thereby incorporates a public perspective through insights from people who migrate to highlight an increasingly important dimension to public formation and relationship dynamics: mobility. In doing so, this dissertation takes an innovative qualitative approach to social network analysis (SNA), which integrates a visual network mapping exercise alongside qualitative interviews and ethnographic observations. Findings captured how the enactment and context of mobility impact migrant network dynamics across the world as well as their subsequent communication behaviors and relational expectations, particularly with U.S. civil society organizations (CSOs). They further depicted an organizational perspective that highlighted three dichotomies to how CSOs perceive and maintain their social networks, and showcased the role of mobility as an underlying context generating distinct actors, ties, and positioning. Findings lastly emphasized entanglements between social and other forms of capital as well as patterns in who is perceived as having versus needing capital.As such, this dissertation proposes the conceptualization of the mobile social network ecology, a concept that integrates social network analysis and the experiences of public mobility by accounting for distinct publics and organizations perceptions. It allows for public relations to better consider the impacts of the enactment and context of mobility on key public relationships, inclusive of the distinct publics of the modern world, the CSOs that seek to serve them, and their linkages to civil societies on a transnational scale. Additionally, in noting the significant ties between migrant publics and migrant-serving CSOs, this dissertation connects the exchanges of (social) capital within a mobile social network ecology to relational power dynamics and differentials, emphasizing their lived, embodied impact as well as introducing a new salient category: spatial capital. All together, these contributions advance public relations in reckoning with the transnational, globalized dimensions of the modern world, showcasing how public mobility shapes and complicates our fundamental societal connections and presenting unique takeaways for the field in scholarship and practice.Item Through the Distance(2009) Ibarguen, Vannia Paola; Bradley, Karen K; Dance; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)What is the impact of distance on people's lives? Vannia Ibarguen examines how the established relationships among people change with distance and how humanity has created virtual extensions to continue in communication. Vannia portrays life as a set of departures, journeys and arrivals while exploring concepts like migration, separation and the use of technology. The show includes remote multi location performances developed in collaboration with dancers from California, South America and Europe.Item Learning From The Media: Perceptions of "America" From Chinese Students and Scholars(2008-02-16) Roberts, Quincy; Struna, Nancy; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This research examines the perceptions that international students and scholars from China form of the United States. This thesis tracks the participants' recollection of their beliefs about the U.S. before arriving and examines the transformations that occurred because of lived circumstances and experiences. The research participants eagerly took advantage of the opportunity to visit and study at American universities, believing that this country had the best there was to offer in terms of educational quality. This perceived superiority of the U.S. was believed to extend into other social and cultural categories as well. Through examining the participant's imagined ideals of life in the U.S. the objective is to understand the importance individuals and lived experiences play in the reception and interpretation of cultural images, as well as foreground the "individual" as the main site to examine the intersection of the "global" and the "local". This is meant to elevate the importance of the individual when studying the impact and influence of globalization in the lives of individuals. By using Appadurai's notion of mediascapes as a means to study popular culture the goal is to understand the local and the global in studying the connection between the imagination and globalization.Item (Re)Mapping the Black Atlantic: Violence, Affect, and Subjectivity in Contemporary Caribbean Women's Migration Literature(2007-05-29) Shaw, Barbara L.; Rosenfelt, Deborah; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is a project of literary reclamation, canonical revision, cultural analysis, and interdisciplinary remapping. Drawing on American studies, women's studies, postcolonial studies, and Caribbean studies, particularly performance theory and recent theoretical work on affectivity, it analyzes the negotiations of protagonists who move back and forth between and among cultures and nations, exploring complex possibilities for subjectivity, identity, and citizenship within worlds of domestic and neocolonial violence. Collectively, America's Dream, The Line of the Sun, Geographies of Home, Breath, Eyes, Memory, and The Unbelonging re-map Gilroy's influential theory of the Black Atlantic in three ways: by tracing the legacies of colonization in relation to interpersonal violence; by re-writing national narratives of the metropole from migrant Caribbean women's perspectives; and by including Puerto Rico, Haiti, and the Dominican Republic, as well as Jamaica, within its purview. While arguing for the complex personhood of these migrant protagonists and elucidating their legacies of pain and healing, alongside their victimization and resistance, this dissertation also provides a materialist analysis of cultural production, examining how these books circulate as objects in the global/local economy of book selling and distribution. Through a small-scale ethnographic study of independent publishers, alongside a material and visual cultural analysis of the book covers, it analyzes the politics of publication and canonization of Caribbean women's literature. By centering the Caribbean and its diaspora in an American Studies project, this dissertation pushes the boundaries of the discipline beyond the examination of cultures in the United States or American imperialism in other nations. (Re)Mapping the Black Atlantic asks not only that the Caribbean be considered part of the Americas, but also that the relational aspects of migration between the Caribbean on the one hand, and the United States and Britain on the other, become part of the new cartographies of American Studies.Item Just a Click Away from Home: Ecuadorian Migration, Nostalgia and New Technologies in Transnational Times(2007-05-14) Mejia Estevez, Silvia; Harrison, Regina; Comparative Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Focusing on three different narrations of migration from Ecuador to the United States, Spain and Italy, this documentary video and its study guide explore how new technologies such as the Internet, satellite communications, email, videoconferences, and cell phones have changed the experience of displacement. The two components of this dissertation propose that, due to the encounter with new technologies intent upon shrinking space and time, nostalgia is becoming digital -a quest for continuity of time and space through the simultaneity offered by digital media. Under these new circumstances, transnational businesses profit from nostalgic markets, whereas transnational families and organizations grapple with digital technologies to foment a "globalization of solidarity." As an aesthetic artefact, the project responds to the controversy within film theory regarding subjectivity and fiction storytelling procedures as defining features of documentary, a film genre traditionally marketed as objective and non-fictional. For this reason, the video is composed of what I call not three case studies but three stories of migration. The documentary starts out in Cuenca (Ecuador), where, speechless, Arturo and Mercedes see their children on the videoconferencing screen. It is their first "reunion" since the children left Ecuador and settled in New York City, eleven years ago. In another Ecuadorian city, Gloria -whose husband migrated from Quito to Madrid- promotes Internet access to rescue families torn apart by migration. Finally, we meet Carla, a journalist settled in Milan, who takes advantage of new technologies to report on the Ecuadorian community in Italy for readers far away. With a comparative and translocal approach -and theoretically based on Hall, Appadurai, Boym, Nichols and Portes among others-, this project explores multiple relationships with new technologies determined by gender, age, race, ethnicity, education, computer literacy, geographical situation, and socio-economic background. Through their differing and even contradictory discourses and practices, expressed and lived in geographical locations that coexist and overlap on the screen, the protagonists of this dissertation-documentary video show us to what extent they are inscribed in different places of enunciation that shape their experience of displacement and nostalgia in contrasting ways.Item Textual Trespassing: Tracking the Native Informant in Literatures of the Americas(2004-11-02) Shemak, April A.; Ray, Sangeeta; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation reframes notions of two disparate fields of study--postcolonial and U.S. ethnic studies--through an analysis of contemporary narratives located in the Caribbean, Central America and the United States. My choice of texts is dictated by their multiple locations, allowing me to consider postcolonial and ethnic studies as simultaneous formations. Throughout the dissertation I use the trope of trespassing in its various connotations to explore how these narratives represent native spaces, migration and U.S. spatial formations. Furthermore, I explore the manner in which testimonio surfaces as a narrative device in several of the texts. I establish the parameters of my project by describing the disciplines and theoretical discourses with which I engage. I argue that it is necessary to expand the boundaries of U.S. ethnic literature to include the literatures of the Americas. Furthermore, I also consider the implications of the trope of trespassing vis-à-vis my own subject position my own subject position and the narratives I analyze. Chapter two investigates the manner in which, despite contemporary theoretical and cultural critiques of essentialism, one continues to sense a reverence for sacrosanct notions of authenticity, origins, and nativism in contemporary narratives. I explore these themes as they occur in texts from Jamaica, Guyana and Martinique and consider how these novels complicate the alignment of indigeneity with essentialism through their use of postmodern narrative tactics. In chapter three, I shift my investigation to Haitian and Cuban narratives of migration and the manner in which testimony, when it is linked to migration, becomes a means of trespassing especially for refugees who must constructing the postcolonial native space as “corrupt” as they attempt to gain political asylum in the United States. I argue that such texts as Edwidge Danticat’s Krik? Krak! and Cristina Garcia’s Dreaming in Cuban reflect discourses of disease as a way of representing the “unhealthy” relationships between the U.S. and Haiti and Cuba. Chapter four charts the movement of the native informant from the postcolonial native locale to the ethnic immigrant space. I use Gayatri Spivak’s critique of the postcolonial critic as “New Immigrant-native informant” as an analytical frame for addressing the ways in which Dominican American writers adopt or reject the role of native informant in the novels (for example, Julia Alvarez, Loida Maritza Perez and Nelly Rosario). Chapter five reflects a convergence of postcolonial and ethnic American concerns as it explores the implications of trespassing and testimony in narratives that represent transnational labor practices. I juxtapose the 1991 U.S. Congressional Hearings which address the plight of Haitian sugarcane cutters in the Dominican Republic through an appropriation of testimonial discourse with the subjective representations of migrant workers in the novels of Edwidge Danticat and Francisco Goldman.