College of Arts & Humanities
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The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item A Host of Memories: Mixed Race Subjection and Asian American Performances Against Disavowal(2020) Storti, Anna; Lothian, Alexis; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation develops the concept of racial hosting to conceptualize mixed-raceness as an embodied palimpsest of past, present, and future. A Host of Memories: Mixed Race Subjection and Asian American Performances Against Disavowal argues for the importance of uncovering the disavowed, residual, and violent conditions of racial mixture. The project situates queer theories of temporality and feminist theories of situated knowledge in relation to Asian Americanist critiques of memory. I contend that the Asian/white subject is both an index to track the colonial condition across time, and a host that harbors the colonial desires we have come to name as hybridity, multiracialism, and post-racism. Each chapter builds towards a methodology of memory to, on the one hand, track the sensorial life of mixed-raceness, and on the other hand, document how the discourse of multiracialism obscures mass violence and the colonial ideology of racial purity. Chapter one advances the framework of white residue through an examination of the case of Daniel Holtzclaw, the Japanese/white police officer serving 263 years in prison for assaulting 13 Black women. I then narrate the life of Elliot Rodger, the Chinese/white mass shooter and involuntary celibate. Opening the study in this way dispels the notion that racial mixture renders racism’s past obsolete. I then shift to mixed race artists whose performances of desire, memory, and time include a fervent belief in queer and feminist possibility. Chapter two illuminates how a femme aesthetic of retribution surfaces as a response to racial fetish. This chapter spotlights performances by Chanel Matsunami Govreau and Maya Mackrandilal. Chapter three forwards the concept of muscle memory to study how the accumulation of history is deposited into the body and enacted through movement. Here, I contemplate the queer and trans dance of Zavé Martohardjono. Chapter four de-idealizes hybridity through the oeuvre of contemporary artist Saya Woolfalk. To end, I refer to the photography of Gina Osterloh to force a reckoning with the pressures to remember and claim ancestry. Mixed race subjection, I conclude, is an embodied phenomenon with reverberating implications for the structure of racial form writ large.Item Archives in the Attic: Exile, Activism, and Memory in the Washington Committee for Human Rights in Argentina(2019) Pyle, Perri; Rosemblatt, Karin; History/Library & Information Systems; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Spurred by the human rights violations committed by the last Argentine dictatorship (1976-1983), exiled Argentines in Washington, D.C. formed the Washington Committee for Human Rights in Argentina (WCHRA) to facilitate the transnational exchange of information between those under threat in Argentina and political actors in the United States. This thesis outlines the story of the WCHRA through the records they created - kept for nearly forty years in an attic - and oral interviews with former members. The collection consists of letters, testimonies, petitions, and notes that reflect the group’s extensive network and provide insight into how Argentine exile groups inserted themselves into the larger human rights movement. By critically examining how one small group of activists came together, I explore how archival records enhance, challenge, and reveal new insights into the politics of exile, activism, and memory, as seen through the lens of the records they kept.Item MARKET BEHAVIOR IN THE POST-TRANSITIONAL NARRATIVE OF RAFAEL CHIRBES AND BELÉN GOPEGUI(2018) Giller-Wilde, Anne; Naharro-Calderon, Jose Maria; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation attempts to identify pertinent literary strategies found in the Spanish capitalist contemporary narrative. Having traced patterns like the stock market’s pendular movements in the Spanish post-Franco Transitional narrative of Rafael Chirbes and Belén Gopegui, this thesis considers similar thematic and stylistic repetitions deriving from the 19th Century Spanish Realist and Naturalist Novel and the Post-War period of the Civil War (1939-1975), characteristics which manifest themselves cumulatively in the novels of Chirbes and Goegui. Taking into account economic and market theories, and borrowing R.N. Elliott’s wave theory terminology for charting of market data and analysis of numerical data over time, the thesis considers qualitative literary fluctuations analogous to the temporal structures of stock market prices which occur through the history of trading. Due to differing experiences in the aforementioned periods, male and female authorship are considered separately in the two periods anterior to the post-Franco Transition. The dissertation also relies on theories of memory, history and group psychology, concepts close to formulations found in theories such as those of Prechter, Frost, Ortega y Gasset, Ricoeur, etc. It proposes that the novels of Chirbes and Gopegui, because of their discernible temporally ascending intertextual articulation, are analogous to the fifth wave of Elliott’s five-wave market cycle, which he termed social movement and whose momentum was stimulated by collective social emotion or Prechter’s social mood. In Chirbes and Gopegui, the underlying social mood is one of indignation and resentment whose manifestation can be traced from the late 19th-Century, to the Post-War period under the dictator Francisco Franco, culminating in the Post-Transitional novel, in which a generational rift rooted in socio-economic inequality is indicative of the unhealed wounds from the Spanish Civil War. The novels from the three time periods are also of an economic nature, treating human engagement with money and its consequences. Chirbes’ and Gopegui’s protagonists are theoretically a return to the universal protagonist in the novels of Benito Pérez Galdós, but who embody the socio-economic concerns of the 21st Century, completing a literary social movement.Item "The other side of the picture": Social History, Popular Culture, and the Idea of the Sand Creek Massacre(2015) Tanner, Kerry; Bell, Richard; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Competing schools of thought regarding American imperialism, American constructions of race, Native American experiences, and white settlers’ place within the American West can be seen in non-fiction and fictional accounts of the 1864 Sand Creek massacre in what is now eastern Colorado. Due to a range of factors including the emergence of social history methodology and Cold War politics, a shift in both American historiography and fictional representations of Native Americans and the West can be observed in certain scholarly works and Western films and novels during the period 1945-1970. Debates over the meaning of Sand Creek, often inspired by film representations, also reveal Coloradans’ and Americans’ attempts to reckon with shameful and embarrassing events of the past by contesting notions of race and imperialism presented by Western fiction.Item The Democratic Self: Gender, Memory, and Human Rights under the Augusto Pinochet Dictatorship and Transition to Democracy in Chile, 1973-2010(2015) Townsend, Brandi Ann; Rosemblatt, Karin A; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The Democratic Self asks how ideas about gender shaped the ways that Chileans reconstructed the affective, social, and political bonds the Augusto Pinochet dictatorship (1973-1990) sought to destroy. It intervenes in debates about the degree to which right-wing military regimes in Latin America eroded social ties during the Cold War. Torture targeted gendered and sexual identities and compelled victims to re-assess their roles as men, women, militants, husbands, wives, sons, daughters, mothers, and fathers. This dissertation argues that to reconnect the individual to collective struggles for democracy, survivors and their allies drew on longstanding, heteronormative gender ideologies within the left. Those ideologies gradually changed over the course of the dictatorship, and in turn, influenced memories during the subsequent transition to democracy (1990-2010). The dissertation draws on government and non-governmental documents and oral interviews with survivors, their families, and human rights workers. Between 1978 and 1990, mental health professionals working within human rights organizations provided psychological therapy to approximately 32,000-42,000 Chileans to help them work through their traumatic experiences as part of a collective project to repair the social connections that state violence ripped apart. These professionals translated psychoanalytic concepts of “the self” into the language of pre-1973 frameworks of citizenship grounded in the heterosexual, male-headed nuclear family. By the mid-1980s, Chile’s feminist movement changed the terms of the debate by showing how gendered forms of everyday violence that pre-dated the dictatorship shaped political violence under the dictatorship, as well as the opposition’s response. Slowly, mental health professionals began to change how they deployed ideas about gender when helping survivors and their families talk about state violence. However, the narratives of violence that emerged with the end of the dictatorship in 1990 and that were enshrined in three separate truth commissions (1990, 2004, and 2010) only partially reflected that transformation. The democratic governments’ attempts to heal Chile’s painful past and move forward did not always recognize, much less dislodge, entrenched ideas that privileged men’s experiences of political militancy. This dissertation shows how Chileans grappled with their memories of state violence, which were refracted through gendered discourses in the human rights movement.Item MEMORY AND PREDICTION IN CROSS-LINGUISTIC SENTENCE COMPREHENSION(2014) Lago, Maria S.; Phillips, Colin; Linguistics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation explores the role of morphological and syntactic variation in sentence comprehension across languages. While most previous research has focused on how cross-linguistic differences affect the control structure of the language architecture (Lewis & Vasishth, 2005) here we adopt an explicit model of memory, content-addressable memory (Lewis & Vasishth, 2005; McElree, 2006) and examine how cross-linguistic variation affects the nature of the representations and processes that speakers deploy during comprehension. With this goal, we focus on two kinds of grammatical dependencies that involve an interaction between language and memory: subject-verb agreement and referential pronouns. In the first part of this dissertation, we use the self-paced reading method to examine how the processing of subject-verb agreement in Spanish, a language with a rich morphological system, differs from English. We show that differences in morphological richness across languages impact prediction processes while leaving retrieval processes fairly preserved. In the second part, we examine the processing of coreference in German, a language that, in contrast with English, encodes gender syntactically. We use eye-tracking to compare comprehension profiles during coreference and we find that only speakers of German show evidence of semantic reactivation of a pronoun's antecedent. This suggests that retrieval of semantic information is dependent on syntactic gender, and demonstrates that German and English speakers retrieve qualitatively different antecedent representations from memory. Taken together, these results suggest that cross-linguistic variation in comprehension is more affected by the content than the functional importance of gender and number features across languages.Item The cognitive basis for encoding and navigating linguistic structure(2014) Parker, Daniel; Phillips, Colin; Linguistics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is concerned with the cognitive mechanisms that are used to encode and navigate linguistic structure. Successful language understanding requires mechanisms for efficiently encoding and navigating linguistic structure in memory. The timing and accuracy of linguistic dependency formation provides valuable insights into the cognitive basis of these mechanisms. Recent research on linguistic dependency formation has revealed a profile of selective fallibility: some linguistic dependencies are rapidly and accurately implemented, but others are not, giving rise to "linguistic illusions". This profile is not expected under current models of grammar or language processing. The broad consensus, however, is that the profile of selective fallibility reflects dependency-based differences in memory access strategies, including the use of different retrieval mechanisms and the selective use of cues for different dependencies. In this dissertation, I argue that (i) the grain-size of variability is not dependency-type, and (ii) there is not a homogenous cause for linguistic illusions. Rather, I argue that the variability is a consequence of how the grammar interacts with general-purpose encoding and access mechanisms. To support this argument, I provide three types of evidence. First, I show how to "turn on" illusions for anaphor resolution, a phenomena that has resisted illusions in the past, reflecting a cue- combinatorics scheme that prioritizes structural information in memory retrieval. Second, I show how to "turn off" a robust illusion for negative polarity item (NPI) licensing, reflecting access to the internal computations during the encoding and interpretation of emerging semantic/pragmatic representations. Third, I provide computational simulations that derive both the presence and absence of the illusions from within the same memory architecture. These findings lead to a new conception of how we mentally encode and navigate structured linguistic representations.Item They Don't Know Us Here(2012) DeCarlo, Carolyn Cecelia; Norman, Howard; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)To be human is to be shaped by memory: what is remembered, what is forgotten, and what lies quietly dormant. But what of the unique mind, for whom this balance is upset? The novella They Don't Know Us Here imagines a place where David Whelan experiences past and present on a continuous plane. Confined to Ward 12 of St. Elizabeths Hospital in Washington, D.C., David's mind soars between life on the ward and memories from before his confinement. But when things change in the present, what is shaken loose in the past? Through looking both inward on David and out to the other men residing on the ward, They Don't Know Us Here explores what happens when unquiet minds are confined to bodies that rest.Item Fragments of Memories(2012) Booker, Michael Andrew; Lozner, Ruth; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Quilt making, in its simplest form, is the taking of fragments from various sources and putting them together to form a new symbol that gives new meaning to those fragments, collectively. This thesis discusses my incorporation of the language of quilt making in my work, transforming its' ideals to reflect on issues and experiences that occur within families and communities, and to make quilt making cross the line from craft to fine art.Item Divination Method(2012) Glidden, Felicia Rose; Gavin, Dawn; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This thesis involves turning over internal images and narration of the mind. The work expands the gap between the seen and unseen and engages intuition through an immersion of the senses. This nonlinear approach with no beginning and no end parallels the experience of memory and creates sensorial connectivity.