College of Arts & Humanities
Permanent URI for this communityhttp://hdl.handle.net/1903/1611
The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item Too Much to Belong: Latina/o Racialization, Obesity Epidemic Discourse, and Unassimilable Corporeal Excess(2016) Griff, Ellen Cassandra; Paoletti, Jo B; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This project examines the discursive constructions of Latina/o bodies as excessive in order to examine how Latinas/os are excluded from belonging to the U.S. nation-state. By approaching Latina/o Studies from a Fat Studies perspective, it works to more adequately address the role of embodiment in determining processes of racialization that directly impact Latinas/os in the United States, especially in light of the role of race and racism in “obesity epidemic” discourse. This dissertation argues that cultural and even physiological explanations about the Latina/o propensity for “overweight” and “obesity” create a discourse that marks the Latina/o body as demonstrating an unassimilable corporeal excess. In turn, the rhetoric of “diversity” and “multiculturalism” are rendered inapplicable to Latinas/os, as demonstrated by both nativist and seemingly pro-immigrant discourses that posit Latina/o physical excess in the form of fatness as detrimental and even dangerous to the U.S. nation-state.Item Imaging the Gap: Dissensus and Belonging in Thandile Zwelibanzi's Still Existence(2013) Williams, Jessica Rachelle; Hill, Shannen; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In his 2010 series, Still Existence, South African photographer Thandile Zwelibanzi images illegal African immigrants as they informally sell sweets and cigarettes on the streets of Johannesburg. In his documentation of the political arguments of these foreigners for their inclusion in the consensus of the nation, Zwelibanzi lends a medium to these individuals through which they can obtain aesthetic (and therefore political) agency. If, in Still Existence, the public sphere of Johannesburg's streets serve as the "dissensual stage" upon which foreign traders exert their claims of belonging and contest their right to work, then it is the process of their subjectivization and their argument for their belonging that are ultimately imaged in these portraits.