Theses and Dissertations from UMD
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New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM
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Item UNA MODERNIDAD TENSIONADA: LA PRENSA CATÓLICA DE LOS AÑOS 20 EN BUENOS AIRES(2022) Maurette, Sofia; Demaria, Laura; Spanish Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Según la Pew Foundation, Latinoamérica es uno de los continentes más religiosos del mundo, con más del 90% de su población identificándose como parte de una religión organizada. Sin embargo, la religión latinoamericana no ha recibido una atención equivalente a sus números. Mi investigación analiza el campo poco estudiado de la religión latinoamericana a través de la lente de su producción cultural, combinando los campos de los estudios religiosos con los estudios literarios y culturales latinoamericanos. En mi trabajo afirmo que definiciones estrechas sobre la Modernidad e ideas normativas sobre el lugar de la religión en la esfera pública moderna, uno de los postulados de la "teoría de la secularización", han resultado en una lectura sesgada de los movimientos y textos religiosos latinoamericanos, generalmente considerados incompatibles con sus aspiraciones modernas.En mi tesis me centro específicamente en las revistas católicas argentinas y su compromiso con las consecuencias del proceso de modernización del país a principios del siglo XX. Para una de estas revistas, Criterio (1928-presente), esto significó elaborar un lenguaje que adoptó la retórica de los movimientos de vanguardia para atraer a la élite intelectual a la que deseaban convertir. La revista femenina Noel (1920-1939), por otro lado, al contrastar la construcción tradicional de género dentro del catolicismo con las nuevas definiciones de feminidad adoptadas por los movimientos feministas contemporáneos, se convirtió en un espacio seguro para sus autoras en el cual construir y realizar una comprensión del género que, si bien respaldaba explícitamente una cosmovisión patriarcal, reformulaba sutilmente el papel de la mujer dentro de ella.Item GENRES OF MEMORY AND ASIAN/AMERICAN WOMEN’S ACTIVISM(2022) Bramlett, Katie; Enoch, Jessica; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)As human rights and racial inequality dominate public discourse, it has become increasingly clear that Americans are invested in conversations of public memory. The removal of confederate monuments and demands for equity in memorialization for people of color underscore the point that who is remembered and how they are honored is important. Further, the growing awareness of violence against Asian/Americans and the hate crime against Asian/American women in Atlanta has emphasized the need to understand the history of violence against Asian/Americans, Asian/American gendered stereotypes, and the Asian/American activists who fight for equal rights. This dissertation examines three distinct memorial genres—a statue, a traveling exhibit, and a documentary—created by Asian/Americans about Asian/American women activists. My interdisciplinary research engages feminist memory studies, Asian/American studies, and cultural rhetorics to investigate how public memory activists leverage the affordances of different memorial genres to recover Asian/American women’s activism. I consider the ways Asian/American women’s memorials contest the past and navigate the politics of memorialization to influence the present. Each chapter considers how memorials not only remember past activism, but also work to reframe current conversations about Asian/American women in more just and equitable frameworks. I claim that my chosen memorials are created by memorial activists and each seek to expand U.S. memory beyond traditional gendered stereotypes that are pervasive in the United States.Item FEMINIZING THE “BANLIEUE”, AN INTERSECTIONAL ANALYSIS OF THE COMING OF AGE STORIES IN GIRLHOOD, DIVINES AND CUTIES(2021) Bichon, Clara; Eades, Caroline; French Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Girlhood (2014) by Céline Sciamma, Divines (2016) by Houda Benyamina and Cuties (2020) by Maïmouna Doucouré denounce the multiple oppressions young women undergo in the French “banlieue” through coming of age stories. My goal is to investigate how the reappropriation of the traditional Bildungsroman structures allow a better denunciation of social seclusions. I also focus on the different representations of an intersectional “banlieue” shedding light on multiple axes of oppression. Finally, I study the alternatives offered by the three women directors for their characters as well as for their audience thanks to feminine solidarity as well as to the reappropriation of the traditional male gaze on female bodies. The consequences of these representations translate a French societal mirror to better denounce and fight against the exclusions that young women living in the “banlieue” undergo.Item Zero-Sum Game: GamerGate and the Networked Discourse of Hate(2019) Meyer, Joseph Bernard; Farman, Jason; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Zero-Sum Game utilizes GamerGate – a 2014 harassment campaign against prominent women in the video game industry – to develop a close reading of networked publics in order to understand how power manifests and is enacted online. I combine Actor Network Theory and Critical Technocultural Discourse Analysis to first map and archive GamerGate’s participants, targets, platforms, and media followed by platform-specific feminist readings of discourse occurring across the map. Each chapter focuses on how hate and harassment transform (and are magnified) across platforms, an analysis that is further refracted through multidisciplinary, theoretical frameworks. These frameworks are 1) the gamer technicity that subsumed overt white supremacist heteropatriarchy into developing neoliberal individualism that replaces embodied identity with identity through consumption, 2) the ecology of social media and the interaction of platforms that amplify and transform digital expressive media, 3) a phenomenology of information exploring the mediation of lived experience via networked publics that challenges dominant ideology while also providing the tools for the denial of alternative subjectivities and the construction of alternative information networks, and 4) a consumer choice model of online harassment that builds on the previous three theories to provide consumption of an “apolitical” identity that allows for the abdication of responsibility for the actions of hate groups and harassment they have allied themselves with. I argue that the driving force behind GamerGate is the reactionary impulse by those who benefit from structures of power to the challenges posed by broadcast experiences and identities unfiltered by hegemonic processes of traditional media structures. GamerGate thus signifies the violent reaction by those in power to the loss of control faced in the digital age as discursive constructions of identity are challenged across platforms.Item Stitches as Seeds: Crafting New Natures(2019) Savig, Mary Beth; Corbin Sies, Mary; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)“Stitches as Seeds: Crafting New Natures” explores how fiber’s material specificity agitates universalizing notions of nature. The interpretive lens is inspired by the relational and iterative processes of much fiber art. Akin to patchwork quilting, the dissertation pieces together disparate practices including collage, needlepoint, paintings, photography, performance, and poetry together with readings of spaces such as museum dioramas, aquariums, sideshows, plantations, and parks. Queer and feminist theorizations of art history, material culture, and new materialisms frame the methodology. Ultimately, the dissertation reflects on how fiber advances more experiential possibilities for addressing urgent issues of social and ecological justice. Each chapter focuses on a fantastical invocation of nature. Allyson Mitchell’s installation Ladies Sasquatch (2006-2010) is a sculptural vignette of erotic and menacing lesbian sasquatches—pieced together with thrifted hobby crafts like macramé and latch hook hangings—cavorting in a utopian wilderness. Aaron McIntosh’s Invasive Queer Kudzu (2013-ongoing) facilitates quilting bees for Southern LGBTQ people to stitch their personal stories onto fabric kudzu leaves. Invasive marshals ever-growing vines of quilted kudzu to invade stereotypes of the American South. Margaret and Christine Wertheim’s Crochet Coral Reef (2005-ongoing) merges feminist politics with experimental mathematics to encourage an international network of volunteers to crochet the vibrant, hyperbolic shapes of coral reefs. The crocheted reefs orient their makers towards a radically empathetic perception of nature. As immersive and socially-engaged artworks, they illuminate the questions: Who defines nature and decides what is natural? Specifically, the fiber-based techniques leverage the historical denigration of the medium as a domestic and feminine hobby into a subversive and enduring tool of social activism. The artists’ stitches are like seeds. As they are sewn/sown, they fabricate new natures. These seductively artificial renderings of nature unravel the illusion that nature is actually natural, or neutral from surrounding cultural struggles. As such, the dissertation considers how the artworks entangle notions of the material, the social, and the spatial.Item THE DATAFICATION OF EVERYDAY LIFE: CRITICALLY CONTEXTUALIZING THE “QUANTIFIED SELF” IN PHYSICAL CULTURE(2019) Esmonde, Katelyn Rebecca; Jette, Shannon; Kinesiology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The contemporary moment has been characterized as that of the “Quantified Self” (QS); a time in which the body is increasingly subjected to meticulous measurement in the service of generating data that will maximize individual potential through self-improvement. The QS is most readily associated with fitness tracking devices like the Fitbit that quantify various aspects of physical activity (i.e., steps taken, distance walked, heart rate, caloric intake/output). While these devices are often taken up as an individual fitness or health choice, institutions, through efforts such as workplace wellness programs, increasingly utilize them to survey and manage their workers’ health. Widespread use of these technologies is often positioned as a panacea for institutional and personal betterment. In this dissertation, I critically evaluate this assumption, by examining the emergence, nature, and influence of the QS, through a contextualization of the quantification of the physically (in)active body. This is an important undertaking given that the preoccupation with statistical measurement and metrics has seemingly de-emphasized the experiential and, often un-quantifiable, dimensions of physical activity. In light of these concerns, I seek to understand if these technologies are enhancing people’s lives and allowing them to become technologically self-actualized, if they are alienating people from their bodies and physical activity while subjecting them to even greater scrutiny from others, or both. This dissertation comprises three interrelated research studies, in which I draw on the theoretical tools of Foucauldian poststructuralism and sociomaterialisms. In the first study, I historically contextualize the QS, with a focus on how and why the physically (in)active body has been quantified. The second study is a sensory ethnographic study wherein I analyze women runners’ fitness tracking practices to explore how fitness tracking shapes their experiences of embodiment and emplacement. Finally, in the third study I interview key informants in the workplace wellness industry and study documents from workplace wellness programs and proponents. By examining the sociomaterial conditions of self-tracking, both historical and contemporary, this dissertation highlights the politics of self-tracking and the contingencies that are required to produce ‘self-evident’ and factual data about oneself.Item "The Biggest Con in History": American Myth-Making in the Stage and Screen Adaptations of Anastasia(2018) Weyman, Jennifer Elizabeth; Haldey, Olga; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The story of Anastasia Nikolaevna Romanova has been engrained in the American imagination for nearly a century. This tale has often been told on stage and screen, depicting Anastasia and her most famous impersonator: Anna Anderson. The adaptation of Anna and Anastasia’s tale that has made the most lasting impact is the 1951 French play, Anastasia, by Marcelle Maurette, and its 1954 English translation by Guy Bolton. Four more adaptations have followed that progenitor play: the 1956 film, Anastasia; the 1965 operetta, Anya; the 1997 animated film, Anastasia; and the 2017 musical, Anastasia. These five artistic adaptations evolved from one another, navigating their own history alongside changing American values. This thesis situates each production within American sociopolitics of the twentieth and twenty-first centuries, revealing how each production is far more indicative of American ideals than Russian history, particularly with regards to immigration, foreign policy, and feminism.Item Mind the gap: Connecting news and information to build an anti-rape and sexual assault agenda in India(2017) Guha, Pallavi; Chadha, Kalyani; Steiner, Linda; Journalism; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation will examine the use of news media and social media platforms by feminist activists in building an anti-rape and sexual assault agenda in India. Feminist campaigns need to resonate and interact with the mainstream media and social media simultaneously to reach broader audiences, including policymakers, in India. For a successful feminist campaign to take off in a digitally emerging country like India, an interdependence of social media conversations and news media discussions is necessary. The study focuses on the theoretical framework of agenda building, digital feminist activism, and hybridization of the media system. The study will also introduce the still-emerging concept of interdependent agenda building to analyze the relationship between news media and social media. This concept proposes the idea of an interplay of information between traditional mass media and social media, by focusing not just on one media platform, but on multiple platforms simultaneously in this connected world. The methodology of the study includes in-depth interviews with thirty-five feminist activists and thirty journalists; thematic analysis of 550 newspaper reports of three rapes and murders from 2005-2016; and social media analysis of three Facebook feminist pages to understand and analyze the impact of social media on news media coverage of rape and the combined influence of media platforms on anti-rape feminist activism. The introduction of social media platforms in newsroom influence coverage of rape and sexual assault on women, and assess the reasons behind selective media and public outrage against rape and sexual assault. In this dissertation, I also focus on the intersectional identity of feminist activists and how they align their offline anti-rape activism and inequalities of caste, gender, class, digital access and literacy. As a recommendation of this study, I created a beta version of an app, which will support anti-rape feminist activism and rape coverage by bridging the information and coverage gap of rape and sexual assault.Item "Nothing About the Rape:" Generative Silencing in Nalo Hopkinson's Midnight Robber(2014) Webb, Calvin Allan; Wong, Edlie; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This project, which focuses on Nalo Hopkinson's Midnight Robber, explores the relationship between storytelling, witnessing, and lived experience. By interrogating the intersection of black feminism, speculative fiction, and slave narratives in the backdrop of the Haitian Revolution, Hopkinson's work shows that some silencing can be constructive, even essential, for survival.Item Feelin Feminism: Black Women's Art as Feminist Thought(2014) Judd, Bettina A.; Barkley Brown, Elsa; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation contends that the systems of racism, (hetero)sexism, and classism are felt in the body, mind, and spirit and that resistance to these systems must be felt as well. Feelin, a term rooted in U.S. Black culture and derived from Black speech (as in "I'm feelin that!"), is deployed as a way of knowing through which Black women engage and create life-affirming art. I argue for understanding black women's creative production as a site of Black feminist thought, one that continuously negotiates, shares and acknowledges emotion as a form of knowledge that, in Audre Lorde's terms, galvanizes radical thought into "more tangible action." In this project I negotiate these issues through close reading and analysis of the work of three artists: photographer Renee Cox, poet Lucille Clifton, musician Avery*Sunshine. In Cox's photography I examine the ways in which she re-imagines racial shaming and Black motherhood through her own body and mothering practice as represented in her work. Through Clifton's words, poetry, and spiritual and creative practice, I trace a theology of joy. And, I analyze expressions of sacro-sexual ecstasy in Avery*Sunshine's genre ambivalent music. These themes of shame, joy, and ecstasy are prominent not only in the work itself, but also in the artists' experiences of creating that work and in the artists' discussions of their work and worldview. Feminist scholarship and affect theory frame my engagements with feelings and emotions as knowledge. Finally, I propose a methodology for engaging Black women's knowledge production that mandates that we take Black women's anger seriously and interrogate from there. This project practices the modes of knowledge production that it presents. Furthering its argument that Black women's art is a site of feminist knowledge production, research is conducted and presented through poetry, mixed media, and personal narrative in addition to academic research methods and prose.