As human rights and racial inequality dominate public discourse, it has become increasingly clear that Americans are invested in conversations of public memory. The removal of confederate monuments and demands for equity in memorialization for people of color underscore the point that who is remembered and how they are honored is important. Further, the growing awareness of violence against Asian/Americans and the hate crime against Asian/American women in Atlanta has emphasized the need to understand the history of violence against Asian/Americans, Asian/American gendered stereotypes, and the Asian/American activists who fight for equal rights. This dissertation examines three distinct memorial genres—a statue, a traveling exhibit, and a documentary—created by Asian/Americans about Asian/American women activists. My interdisciplinary research engages feminist memory studies, Asian/American studies, and cultural rhetorics to investigate how public memory activists leverage the affordances of different memorial genres to recover Asian/American women’s activism. I consider the ways Asian/American women’s memorials contest the past and navigate the politics of memorialization to influence the present. Each chapter considers how memorials not only remember past activism, but also work to reframe current conversations about Asian/American women in more just and equitable frameworks. I claim that my chosen memorials are created by memorial activists and each seek to expand U.S. memory beyond traditional gendered stereotypes that are pervasive in the United States.