UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
More information is available at Theses and Dissertations at University of Maryland Libraries.
Browse
3 results
Search Results
Item Making Sense of Violence: How the Lebanon War Became Sectarian(2024) Ellsworth, Ted Spencer; Cunningham, Kathleen G; Jones, Calvert W; Government and Politics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation analyzes the rise of sectarian political order in Lebanon during the Civil War. In the Middle East, religious differences are often seen as an intractable problem, and sectarian power-sharing rules, all-encompassing. When we look at the pre-war period in Lebanon, while religious differences played a role at the national level, most sectarian communities did not have robust institutions to maintain order and coordination amongst themselves. Internally, the groups were politically divided, and many political parties were ostensibly secular. Despite serious efforts to abolish sectarianism throughout the war, by the end, the system of sectarian order was more entrenched in all levels of society. At the same time, sectarianism remains just one of many relevant cleavages within Lebanon. How do we explain the trajectory of sectarian order in Lebanon? What does the persistence of sectarian order reveal about the challenges of nation building and political order? Conventional scholarship argues that violence can help construct both identities and order: external violence is thought to reinforce national identities instead of subnational ones, and intra-group violence is thought to reinforce subnational boundaries. By contrast, my argument highlights the role of framing in mediating these relationships. This inductive study is based on analysis of fourteen archives, novel event data, and a close reading of party ephemera and historical newspapers from 1958 to 1982. By combining this data within a micro-comparative framework, this dissertation reconstructs the dynamics of contention leading up to and throughout the early stages of the Lebanon Civil War. Comparing episodes of violence in Lebanon over time, I explore how external violence, inter-group violence, and intra-group violence shaped political order. I show that the relationship between violence and the creation of identity-based order is conditional on framing effects. These frames help decision-makers link specific threats to policies, including new rules and institutions to govern intra- and inter-group behavior. By examining examples of each type of violence over successive junctures, I unsettle the notion that sectarian political order in Lebanon was inevitable, instead showing how elites became trapped by their ideas as they attempted to make sense of problems that arose in the war such as Israeli interference in Lebanese politics, inter-communal massacres, and opportunistic violence. My work has general implications for how violence can shape behavior, the types of political order that emerge from civil conflicts, and the important role of ideational change during periods marked by uncertainty.Item Les Représentations littéraires de la guerre civile libanaise: pour une poétique du lien(2014) Matar, Marilyn; Brami, Joseph; Modern French Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In this dissertation I analyze representations of the Lebanese civil war in literature, and focus mainly on the works of the Francophone writers, Wajdi Mouawad, Elie-Pierre Sabbag and Ramy Zein. I trace in these works recurring themes and motifs that allow me to bring out the singularity of the aesthetics of war writings from the Lebanese civil war context. My thesis also reflects on the ethical questions raised by these works, which undertake a basic and universal examination of evil, meditate on the horrors of war, revenge and reconciliation, and grapple with the limits of human dignity. In the introduction, I present the authors and their works in the socio-historical context of the Mashrek and, more specifically, of Lebanon and the wars it has experienced since 1975. My dissertation is comprised of five chapters: In the first chapter, I examine the literary representation of the human cost of war: the aftermath of trauma, exile, and death. I also show how war and identity become inextricable in this literature. In the second chapter, I focus on the rewriting of myths and Greek tragedies such as Oedipus and Antigone as a way to gesture towards the unspeakable tragedy of war. In the third and fourth chapter, I demonstrate the importance of narrative by analyzing the links between intimate storytelling and the public space of theater, and by reexamining the notion of catharsis. The final chapter is a detailed study of the metaphors of reconstruction and reconciliation in Lebanese Francophone literature. In this section, I show how these works are characterized by a will to transcend conflicts; they thus constitute a powerful call for a society based on humanist ethical values.Item Myth and the Maternal Voice: Mediation in the Poetry of Vénus Khoury-Ghata(2009) Braswell, Margaret Anne; Brami, Joseph; Modern French Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Born under the French Mandate in Lebanon, Paris-based Francophone poet and novelist Vénus Khoury-Ghata represents a generation of Lebanese writers who have witnessed Lebanon's evolution from a newly independent state to a twenty-first century nation struggling to survive the devastation of civil war and regional conflict. Like many of her compatriots who have chosen exile and whose mother tongue is Arabic, Khoury-Ghata's negotiation between two languages and cultures nurtures an oeuvre that reflects the tensions and provocations of a dual Franco-Lebanese identity. An examination of her poetry represents an opportunity to direct more attention to a poet whose passionate representation of her native country and the pathos of the human figure memorializes in verse personal and collective tragedy. Khoury-Ghata's narrative-driven poems reveal the dynamics of accommodating differences by promoting encounter and integration, while recognizing that confrontation is not entirely unavoidable. Seeking to reconcile the distance and the passage of time that separate the poet from her origins, as well as linguistic and cultural differences that divide self and society, her approach evokes the contemporary poet's quest for a rapprochement, however ephemeral, with the Other, often in the context of an autobiographical project that merges History and myth. Her consistent evocation in writing and interviews of her dual identity invites an examination of her verse in the framework of theoretical notions based on binary structures. Informed by surrealist and magical realist strategies, as well as French and Arab poetic legacies, Khoury-Ghata's verse expresses a paradigm of inversion that renders the common narrative fantastic, transforms the ordinary housewife into a supernatural heroine, and sanctifies the abject. Evocations of language and myth affiliated with this subversive dynamic encourage the investigation of their significance in the framework of binary structures that privilege the negative and the nocturnal. Julia Kristeva's theory of poetic language provides one method for the analysis of Khoury-Ghata's portrayal of the maternal figure and maternal language as negative and subversive feminine forces. This study will underscore how the poet's integration into her text of signifiers of Arabic, orality, and pre-verbal impulses, weaves the maternal voice and gestures into a mythical narrative. In addition, French myth critics such as Gilbert Durand and Pierre Brunel propose various reflections on the development of mythical structures, archetypes, and themes, whose evocations in Khoury-Ghata's verse underscore a poetic strategy of the recovery and revival of her Lebanese origins linked to a broader Mediterranean culture. Durand's isotopic classification of images according to a dichotomous paradigm of the diurnal and nocturnal throws into relief the archetype of the nocturnal Grande déesse whose enigmatic (re)productive power suggests correspondences with the maternal dynamic in Kristeva's semiotic theory, as well as the surrealist médiatrice, and Wendy Faris' conception of the mystical feminine in magical realist strategies. The theme of mediation persists in the poet's mythico-poetic approach that promotes the contact and fusion of contrary forces in diverse "narratives in verse" representing cosmogonic myth, the myth of the primitive Other, biomythography, folktale and fable, and the interaction of myth and memoir. This inquiry demonstrates the durability and plasticity of binary structures of myth and language that mediate personal and collective identities challenged by the potential polarization of languages, cultures, and genders.