Art Theses and Dissertations

Permanent URI for this collectionhttp://hdl.handle.net/1903/2745

Browse

Search Results

Now showing 1 - 4 of 4
  • Item
    Book Ends
    (2024) Hilker, Kenneth; Keener, Cy; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    This thesis marks a pivotal transition in my artistic journey, detailing the creation of Book Ends, a large wood sculpture that emerged as a culmination of my experiences and reflections during the MFA program at the University of Maryland. Moving away from my previous focus on painting, this work embraces sculpture to explore themes of memory, loss, and rebirth. Book Ends is crafted from repurposed wood, each piece with its own history and emotional weight, collected from dismantled homes and reshaped into a new form. This sculpture not only represents a physical assembly of materials but also embodies my personal and artistic transformations, reflecting on the interconnectedness of life's continuous cycles and the impermanent nature of existence. Through Book Ends, I aim to connect viewers with the deeper narratives embedded in the materials I use, inviting them to contemplate the layers of history and transformation inherent in the wood.
  • Item
    Videopainting:a Dialogue
    (2009) Rojo Acebes, Juan Andres; Morse, Brandon; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    My video installations refer both to the pictorial quality of cinema and to the artist's role as a voyeur. The videos depict simple processes or actions, such as eating, cleaning, or applying make-up. These actions are deeply interiorized and they recreate "true" moments of intimacy by capturing the natural way in which the body communicates. The emphasis is on the actions per se, the importance of the time spent performing them, and the emotional associations that they carry. The contrast between the qualities of the new media and my recent work's content and form, has transformed my previous self-indulgent activity into a meditated exercise of nostalgia. Formally my body of work bridges the distance between a Spanish Baroque painterly aesthetics and the apparently opposed qualities of the digital medium.
  • Item
    Transitions and Boundaries
    (2006-05-12) Scott, Barry Allan; Craig, Patrick; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    In any artistic career there are a number of transitions that happen to a body of work. These transitions can often seem like disconnected leaps of the imagination, though they often occur through the challenging of personal boundaries. Personal and emotional boundaries are stretched and challenged by the confrontation of a new culture; this could include a body of new information or unusual surroundings. We will observe the effects that moving to the United States of America has had on my work and the transitions that have taken place in this work as a result of my confrontation with this culture.
  • Item
    the evolution of a thesis
    (2006-05-04) Amos, Steve Michael; Craig, Patrick; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The process of evolution inspires me. A chain of information needs to be created before any evolutionary process can occur. This information must be passed on and transmitted in order to create something new. During this transference, the information becomes mutated as certain traits are lost and picked up along the way. In my work tension is created by the push and pull between drawing and painting. I want my work to possess the refined qualities of a painting, yet retain the immediacy and vitality of a drawing. At the heart of this struggle is a quest for balance.