Women's Studies Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2809
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Item TOWARDS A FEMINIST RECONSTRUCTION OF PERSIAN SUFISM(2017) Nourbakhsh, Safoura; MOSES, CLAIRE; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Contrary to many claims, Sufism is not a gender-neutral discourse and practice. Although women have been present since the inception of Sufism in the eighth century CE, like most androcentric knowledge, the foundational discourse of Sufism is defined by male interest and male privilege. Seeking to address the gender bias in Persian Sufism, this dissertation offers a feminist interdisciplinary examination of Persian Sufism through various forms of textual analysis—linguistic, psychoanalytic, formal—in different fields of study: religious studies, medieval historiography, literature, and ethnography. Through analysis and interpretation of some of the foundational texts of Persian Sufism written from the 10th to the 13th century CE—Hujwiri’s Kashf al-mahjub, Ibn Munavvar’s Asrar al-tawhid, Attar’s Tazkirat al-awliya and Illahi-nama, and Rumi’s Masnavi—my work offers a map of the construction of gender and women’s participation in the early discourse of Persian Sufism that continues to shape the understanding and practice of Sufism in contemporary times. Following medieval textual analysis, I provide an ethnography of women’s diverse experiences as members of the Nimatullahi Sufi order from an insider perspective. The analysis of early influential texts will reverberate through the ethnographic chapter, since many of the texts that I discuss are still central in Sufi ethos and practice. My aim throughout this dissertation is to address male privilege in Persian Sufism by deconstructing the myth of the exceptional woman in Sufism, highlighting women’s involvements in early Sufi communities, reinterpreting Sufi narratives to engage the gender question meaningfully, turning negative interpretations of women into empowering and inspiring tales of women’s spirituality, and finally, to record and preserve the contributions of contemporary women in Sufism for future generations.Item THE WHOLE NAKED TRUTH OF OUR LIVES: LESBIAN-FEMINIST PRINT CULTURE FROM 1969 THROUGH 1989(2013) Enszer, Julie R.; Smith, Martha Nell; Rosenfelt, Deborah S.; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)During the 1970s and the 1980s, lesbian-feminists created a vibrant lesbian print culture, participating in the creation, production, and distribution of books, chapbooks, journals, newspapers, and other printed materials. This extraordinary output of creative material provides a rich archive for new insights about the Women's Liberation Movement (WLM), gay liberation (the LGBT movement), and recent U.S. social history. In The Whole Naked Truth of Our Lives, I construct and analyze historical narratives of lesbian-feminist publishers in the United States between 1969 and 1989. Interdisciplinary in its conception, design, and execution, The Whole Naked Truth of Our Lives is the only sustained examination of lesbian print culture during the 1970s and 1980s; it extends the work of Simone Murray on feminist print culture in the United Kingdom as well as the work of literary scholars Kim Whitehead, Kate Adams, Trysh Travis, Bonnie Zimmerman, and Martha Vicinus, and historians Martin Meeker, Marcia Gallo, Rodger Streitmatter, Abe Peck, John McMillian, and Peter Richardson. From archival material, including correspondence, publishing ephemera such as flyers and catalogues, and meeting notes, oral history interviews, and published books, I assemble a history of lesbian-feminist publishing that challenges fundamental ideas about the WLM, gay liberation, and U.S. social history as well as remapping the contours of current historical and literary narratives. In the excitement of the WLM, multiple feminist practices expressed exuberant possibilities for a feminist revolution. Cultural feminism and lesbian separatism were vibrant expressions of the WLM; they were not antagonistic to radical feminism or liberal feminism but rather complementary and overlapping. Economic restructuring in the United States (e.g. globalization, decreasing governmental support for the arts, and neoliberalism) tempered visions for a lesbian-feminist revolution. Lesbian-feminist publishers experienced economic restructuring as it unfolded and actively discussed the political, economic, and theoretical implications. The strategies and responses of lesbian-feminist publishers demonstrate the effects of and resistances to these macro-economic forces. Examining the economics of book publishing explains how literary artists and other creative intellectuals support themselves in capitalist economies, illuminates broader intellectual and cultural currents, and suggests how broader economic trends in the United States interacted with cultural production.Item SLAVE SHIPS, SHAMROCKS, AND SHACKLES: TRANSATLANTIC CONNECTIONS IN BLACK AMERICAN AND NORTHERN IRISH WOMEN'S REVOLUTIONARY AUTO/BIOGRAPHICAL WRITING, 1960S-1990S(2010) Washburn, Amy Leigh; Rosenfelt, Deborah S.; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation explores revolutionary women's contributions to the anti-colonial civil rights movements of the United States and Northern Ireland from the late 1960s to the late 1990s. I connect the work of Black American and Northern Irish revolutionary women leaders/writers involved in the Student Non-Violent Coordinating Committee (SNCC), Black Panther Party (BPP), Black Liberation Army (BLA), the Republic for New Afrika (RNA), the Soledad Brothers' Defense Committee, the Communist Party-USA (Che Lumumba Club), the Jericho Movement, People's Democracy (PD), the Northern Ireland Civil Rights Association (NICRA), the Irish Republican Socialist Party (IRSP), the National H-Block/ Armagh Committee, the Provisional Irish Republican Army (PIRA), Women Against Imperialism (WAI), and/or Sinn Féin (SF), among others by examining their leadership roles, individual voices, and cultural productions. This project analyses political communiqués/ petitions, news coverage, prison files, personal letters, poetry and short prose, and memoirs of revolutionary Black American and Northern Irish women, all of whom were targeted, arrested, and imprisoned for their political activities. I highlight the personal correspondence, auto/biographical narratives, and poetry of the following key leaders/writers: Angela Y. Davis and Bernadette Devlin McAliskey; Assata Shakur and Margaretta D'Arcy; Ericka Huggins and Roseleen Walsh; Afeni Shakur-Davis, Joan Bird, Safiya Bukhari, and Martina Anderson, Ella O'Dwyer, and Mairéad Farrell. These women address similar themes in their work either through direct communication (i.e., political communiqués and personal correspondence) and/or indirect expression (i.e., news coverage and auto/biographical responses to it). I document moments of transatlantic solidarity among them. This project also draws on interviews with selected writers for supplemental data in interpreting their personal histories and writings. This dissertation is concerned with tracing and analyzing the politics and prose/ poetry of Black American and Northern Irish women. Their cultural expressions concern revolutionary struggle. I use their work as a source of data and an object of analysis. My work establishes links between several areas: nation and anti-colonialism, race and anti-racism, gender and feminism, literature and genre, content and analysis, and theory and praxis.