The reciprocal relationship between art and architecture has been a longstanding practice in the design process of both fields. The geometric forms, textures, and colors of various forms of art, but especially painting, have been known to inspire the architectural design process. Similarly, the shape and environmental experience of buildings can inspire or host works of art. Certain paintings, like those of Mark Rothko, are often cited in foundational architectural courses as examples of comprehensive and layered forms suggestive of architecture. However, these references are not typically taken beyond the parti phase in the early stages of architectural design. But how far can this reciprocal inspiration be taken? How can architecture evolve as not just a place for art, but as art itself?

This thesis will explore the ways in which the abstract modernist painting techniques of the late works of Mark Rothko can affect the compositional form and experience of a mixed-use artist residency in Georgetown, DC.