Perceptual Resonance | Spatial Typologies as an Interpretation of Music

dc.contributor.advisor	Abrams, Michael	en_US
dc.contributor.author	BARKMAN, ERIN	en_US
dc.contributor.department	Architecture	en_US
dc.contributor.publisher	Digital Repository at the University of Maryland	en_US
dc.contributor.publisher	University of Maryland (College Park, Md.)	en_US
dc.date.accessioned	2018-01-23T06:30:54Z
dc.date.available	2018-01-23T06:30:54Z
dc.date.issued	2017	en_US
dc.description.abstract	This thesis seeks to evoke a sense of place, identity and memory through a connection with music to capture the essence of place. Music can act as the link between architecture and people, to allow people to experience place in a more intimate way. By engaging all the senses, there can be a connection through our bodies to the building around us. Through the process of abstraction, we can link the audible world with the visual world, allowing music to resonate in architecture.	en_US
dc.identifier	https://doi.org/10.13016/M2TH8BP5T
dc.identifier.uri	http://hdl.handle.net/1903/20265
dc.language.iso	en	en_US
dc.subject.pqcontrolled	Architecture	en_US
dc.subject.pquncontrolled	Architecture	en_US
dc.subject.pquncontrolled	Music	en_US
dc.subject.pquncontrolled	Perceptual	en_US
dc.subject.pquncontrolled	Philadelphia	en_US
dc.subject.pquncontrolled	Translation	en_US
dc.subject.pquncontrolled	Typologies	en_US
dc.title	Perceptual Resonance \| Spatial Typologies as an Interpretation of Music	en_US
dc.type	Thesis	en_US

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