Perceptual Resonance | Spatial Typologies as an Interpretation of Music

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dc.contributor.advisorAbrams, Michaelen_US
dc.contributor.authorBARKMAN, ERINen_US
dc.contributor.departmentArchitectureen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2018-01-23T06:30:54Z
dc.date.available2018-01-23T06:30:54Z
dc.date.issued2017en_US
dc.description.abstractThis thesis seeks to evoke a sense of place, identity and memory through a connection with music to capture the essence of place. Music can act as the link between architecture and people, to allow people to experience place in a more intimate way. By engaging all the senses, there can be a connection through our bodies to the building around us. Through the process of abstraction, we can link the audible world with the visual world, allowing music to resonate in architecture.en_US
dc.identifierhttps://doi.org/10.13016/M2TH8BP5T
dc.identifier.urihttp://hdl.handle.net/1903/20265
dc.language.isoenen_US
dc.subject.pqcontrolledArchitectureen_US
dc.subject.pquncontrolledArchitectureen_US
dc.subject.pquncontrolledMusicen_US
dc.subject.pquncontrolledPerceptualen_US
dc.subject.pquncontrolledPhiladelphiaen_US
dc.subject.pquncontrolledTranslationen_US
dc.subject.pquncontrolledTypologiesen_US
dc.titlePerceptual Resonance | Spatial Typologies as an Interpretation of Musicen_US
dc.typeThesisen_US

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