Instituting Violence: Spaces of Exception in Twentieth- and Twenty-First Century American Fiction

dc.contributor.advisorWyatt, Daviden_US
dc.contributor.authorSlaughter, Nicholas Allenen_US
dc.contributor.departmentEnglish Language and Literatureen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2017-09-14T05:31:56Z
dc.date.available2017-09-14T05:31:56Z
dc.date.issued2017en_US
dc.description.abstractSince the War on Terror’s onset, American studies have popularized philosopher Giorgio Agamben’s argument in the treatises Homo Sacer (1995) and State of Exception (2003) that modern governments have come to operate in a permanent state of emergency. Agamben terms this phenomenon a “state of exception” in which law may be set aside at any time. Critics have productively applied this theory to post-9/11 U.S. government actions like surveillance programs, torture, and military interventions. Scholarship treats the Guantanamo detention center as the epitome of a localized, perpetual suspension of legal and ethical norms. Yet insufficient attention has been paid to other spaces of a similarly exceptional nature throughout American history. In “Instituting Violence,” I examine twentieth- and twenty-first century fictional representations of institutionalized sites home to unregulated violence while also engaging in current critical conversations about political and economic violence. Preceding Agamben’s political theory, much American literature depicts this exceptionalism across a wide array of sites. I explore four categories of spaces of exception represented across a range of genres, considering their interconnections and histories. In each text, a space that appears to operate as an exception to American legal and moral norms proves to reveal the normal but obscured relationships of power between the privileged and exploited. In addition to how these texts explore longer histories of such violent spaces, I consider how American writers self-reflexively examine the efficacy of their art for meaningfully engaging audiences in ethical discourses about history and justice.en_US
dc.identifierhttps://doi.org/10.13016/M2057CS78
dc.identifier.urihttp://hdl.handle.net/1903/19854
dc.language.isoenen_US
dc.subject.pqcontrolledAmerican literatureen_US
dc.subject.pqcontrolledAmerican studiesen_US
dc.subject.pqcontrolledAmerican historyen_US
dc.subject.pquncontrolledagambenen_US
dc.subject.pquncontrolledgiorgioen_US
dc.subject.pquncontrolledatwooden_US
dc.subject.pquncontrolledmargareten_US
dc.subject.pquncontrolledbutleren_US
dc.subject.pquncontrolledoctaviaen_US
dc.subject.pquncontrolledstate of exceptionen_US
dc.subject.pquncontrolledsteinbecken_US
dc.subject.pquncontrolledjohnen_US
dc.subject.pquncontrolledwrighten_US
dc.subject.pquncontrolledricharden_US
dc.titleInstituting Violence: Spaces of Exception in Twentieth- and Twenty-First Century American Fictionen_US
dc.typeDissertationen_US

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