"In This You Street Vicinity": Building a Cultural Center in Washington, D.C., 1903-1912

Abstract

The decade of 1903-1912 was a period of great creation in the U Street neighborhood of Washington, D.C., the result of social conditions that had emerged through Reconstruction and beyond. The institutions that were built to house Black Washington’s cultural activities in this time were sites of conflict between contingents of Washingtonians, both Black and white, who held competing visions for the future of their city and communities. Although different principles and priorities determined the development and operation of different buildings, such as True Reformers’ Hall, the Twelfth Street Y.M.C.A., and the Howard Theatre, the concentration of cultural institutions in this one location produced a coherent idea of U Street that would carry into future decades. U Street at the beginning of the twentieth century was the local creation of people who were involved in national discussions on politics, religion, society, and economics and engaged with what was new and modern in arts and entertainment. Even before it became a famous theater district, U Street was an expression of Black business and Black artistry and the aspirations that the people there had for the future.