Black Nightmare Imaginary: Popular Music, Collective Trauma, and the Intransigence of Antiblack Violence

Abstract

“Black Nightmare Imaginary: Popular Music, Collective Trauma, and the Intransigence of Antiblack Violence” is an interdisciplinary examination of the Black Nightmare Imaginary, a form of ideological common sense about the precarity of Black life and the necessity of various modes and maneuvers of contestation and escape needed to survive. I argue that Black Americans have shared access to a psychic repository of scenes and scenarios of antiblack violence that exist in vivid detail out of a collective awareness of the omnipresent violence foundational to Black life itself. Black musicians can tap into this shared terrain of terror through creative works that return us to these traumatic moments and perform perseverance in the face of that trauma. These scenes of violence include the horror of the auction block, the humiliation of the minstrel show, the degradation of the social services visit, the tension of a traffic stop, and more. This is the stuff of our nightmares—the full spectrum of antiblack violence that persists through what Saidiya Hartman calls “the afterlives of slavery.” Foregrounding these scenarios of violence, Black musicians create works that can be read as enacting tactics of resistance to that violence. These tactics include vigilantism, nihilism, opacity, and marronage.

Incorporating sonic, visual, literary, and discursive methods, I use the theoretical lens of the Black Nightmare Imaginary to do interdisciplinary analyses of the songs, music videos, album covers, and journalistic representations of a set of post-Civil Rights era Black musicians—including Mary J. Blige, Prince, N.W.A, 2pac, and Sister Souljah. This work challenges prevailing attitudes that misunderstand and devalue Black creative works with simplistic binaries of good /bad, positive/negative, political/apolitical. To the contrary, these are complex works that reckon with both the life and death stakes of the violence foundational to Black American life and the irreducibility and irrepressibility of that life to its influence.