Reparative Forms: Poetry and Psychology from the Fin de Siècle to WWI

dc.contributor.advisorRudy, Jason Ren_US
dc.contributor.authorO'Neil, Lindseyen_US
dc.contributor.departmentEnglish Language and Literatureen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2021-09-16T05:36:38Z
dc.date.available2021-09-16T05:36:38Z
dc.date.issued2021en_US
dc.description.abstract“Reparative Forms: Poetry and Psychology from the Fin de Siècle to WWI” identifies an as yet-unrecognized body of poetry written by women and colonial subjects that shows those authors’ engagements with early psychological writing. The years between the fin de siècle and the First World War saw the rebirth of psychology as a distinct discipline in contrast to its previous life as a vaguely scientific subset of philosophy. Across these decades, psychological discourse first engaged with and then finally overtook philosophy and poetry as the predominant framework for exploring the inner workings of the human mind. In tracing this history and the specific contributions of women’s poetry at the turn of the century, my dissertation actively engages in interdisciplinary work, incorporating the histories of science and medicine, Indigenous studies, and colonial studies. Women and colonial subjects employed the idioms of white male psychologists in order to represent both belonging to and estrangement from national identity. These writings constitute a greater British communal psychology whose characteristics scholarship has yet to account for. While some women and colonial subjects were bold iconoclasts, many more existed in an open-ended negotiation between their alliance to the nation and their alliance to themselves. While none of the texts resolve the conflicts and inconsistencies of poetry steeped in systems of sexism, imperialism, and nationalism, the framework of psychology is an important tool in order to navigate and make sense of the incomplete story of British nationalism. Questions of who can create, join, or destroy communities resonate with our current political and cultural moment. My dissertation traces a historical narrative that helps to make sense of our present moment in which the sovereignty of Britain is being renegotiated. More broadly, the anxiety surrounding the gradual decline of the British Empire and the literary reactions to this decline anticipate our current global political climate, including Euroscepticism, racially charged suspicions of immigrants, an increased emphasis on cultural integration, and a reinvigoration of nationalist rhetoric.en_US
dc.identifierhttps://doi.org/10.13016/wne9-h8he
dc.identifier.urihttp://hdl.handle.net/1903/27742
dc.language.isoenen_US
dc.subject.pqcontrolledEnglish literatureen_US
dc.subject.pqcontrolledPsychologyen_US
dc.subject.pqcontrolledWomen's studiesen_US
dc.subject.pquncontrolleddramatic monologueen_US
dc.subject.pquncontrolledIndigenousen_US
dc.subject.pquncontrollednationen_US
dc.subject.pquncontrolledpoetryen_US
dc.subject.pquncontrolledpsychologyen_US
dc.subject.pquncontrolledverse novelen_US
dc.titleReparative Forms: Poetry and Psychology from the Fin de Siècle to WWIen_US
dc.typeDissertationen_US

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