Directions to my House: Poems
dc.contributor.advisor | Weiner, Joshua | en_US |
dc.contributor.author | Barnoy, Ishai | en_US |
dc.contributor.department | Creative Writing | en_US |
dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
dc.date.accessioned | 2008-06-20T05:37:40Z | |
dc.date.available | 2008-06-20T05:37:40Z | |
dc.date.issued | 2008-05-02 | en_US |
dc.description.abstract | This is a self-portrait collection. But it begins in response to texts that I read. Before, I write automatically, nonsensically, intentionally unintentionally; and the engagement with literature directs my writing toward the 'determined' strain that defines this collection. Starting, for instance, with Pound's Chinese translations, used in the earliest poem here, I build my own 'translations.' And I follow the work of poets that interest me: Miroslav Holub, from whom I borrow lines; John Ashbery, Cesar Vallejo, Kenneth Koch, James Tate, Samuel Beckett, on all whose themes I vary; and more. Certainly, my fascination with nonsense and the absurd continues, but throughout the collection I respond more and more to what I read, twisting what I can into my own language--and I reflect more and more on my own personal and interpersonal conditions, less and less reveling in pure senselessness, although even nonsense is a self-reflection. | en_US |
dc.format.extent | 232058 bytes | |
dc.format.mimetype | application/pdf | |
dc.identifier.uri | http://hdl.handle.net/1903/8188 | |
dc.language.iso | en_US | |
dc.subject.pqcontrolled | Fine Arts | en_US |
dc.subject.pquncontrolled | Poems | en_US |
dc.subject.pquncontrolled | Ishai | en_US |
dc.subject.pquncontrolled | Barnoy | en_US |
dc.subject.pquncontrolled | Plays | en_US |
dc.subject.pquncontrolled | Directions | en_US |
dc.subject.pquncontrolled | House | en_US |
dc.title | Directions to my House: Poems | en_US |
dc.type | Thesis | en_US |
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