"Like a Unicorn in Captivity"

dc.contributor.advisorPearson, Saraen_US
dc.contributor.authorDooling, Shannon Marieen_US
dc.contributor.departmentDanceen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2013-06-28T06:01:27Z
dc.date.available2013-06-28T06:01:27Z
dc.date.issued2013en_US
dc.description.abstractIn the process of creating <italic>Like A Unicorn in Captivity<italic>, I sought the answers to two primary research questions: "What happens when you realize that your idol isn't perfect?" and "What happens when you recognize her flaws in yourself?" The work began as a response to and an interpretation of the work of writer and aviator Anne Morrow Lindbergh, incorporating multimedia, spoken word, and movement in an exploration of celebrity, hero-worship, identity, relationship, ambition, creativity and duty. As we investigated these notions, the cast and I embarked on a transdisciplinary choreographic process, one that combined movement-based and theoretical research across dance, theatre, design, music, history, literature, feminism, and women's studies. This paper offers an explanation of the inspirations behind the piece, how I arrived at the notion of transdiciplinary choreography, what the practice looked and felt like in progress, and a description of the piece that resulted from the process.en_US
dc.identifier.urihttp://hdl.handle.net/1903/14025
dc.subject.pqcontrolledDanceen_US
dc.subject.pqcontrolledWomen's studiesen_US
dc.subject.pqcontrolledTheateren_US
dc.subject.pquncontrolledBalleten_US
dc.subject.pquncontrolledChoreographyen_US
dc.subject.pquncontrolledCollaborative Choreographyen_US
dc.subject.pquncontrolledFeminist Choreographyen_US
dc.subject.pquncontrolledTotal Theatreen_US
dc.subject.pquncontrolledTransdisciplinary Choreographyen_US
dc.title"Like a Unicorn in Captivity"en_US
dc.typeThesisen_US

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