Consistent Sounds of War in Iraq: Iraqi Soundscapes 1979-2006

Abstract

This thesis explores the evolution of the Iraqi soundscape from the rise of Saddam Hussein in 1979 to the aftermath of the 2003 invasion, focusing on how sound has been employed as a tool of power, control, and resistance. Chapter One introduces the concept of sonic history, with a specific focus on Iraq's unique soundscapes during the Ba'athist regime. It examines the role of sound as an instrument of warfare and propaganda, delving into how Saddam's regime utilized sonic environments to cultivate a pervasive cult of personality and how changing technologies altered Iraq’s auditory experience. The second chapter provides a detailed analysis of the Ba'athi soundscapes, establishing the sonic contexts within which the regime operated. It discusses the sounds associated with sites of violence like Abu Ghraib, the regime's strategies of censorship, and the pervasive sounds of terror that became normalized during the Iran-Iraq War. The chapter also previews the sounds that foreshadowed the "Shock and Awe" campaign during the 1991 Gulf War. Chapter 3 continues the narrative into the 2003 invasion and its aftermath, examining how the invasion perpetuated and transformed the existing aural environments. The chapter highlights the sounds of military vehicles, weapons, and civilian life, contrasting the propagandistic "sounds of freedom" with the persistent terror experienced by the Iraqi populace. The chapter also revisits themes of censorship and the complex auditory experience of "freedom" in wartime. Finally, Chapter 4 concludes the study by reflecting on the continuity and change in Iraq’s soundscape across these pivotal historical moments, underscoring the role of sound in shaping Iraq’s modern history. This research contributes to a deeper understanding of how sound operates within contexts of violence and power, particularly within the framework of modern irregular warfare.