IN SEARCH OF OUR GRANDMOTHERS’ GARDENS: ROOTED IN BLACKNESS, DANCING THROUGH ERASURE, AND BLOOMING BEYOND RESISTANCE

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dc.contributor.advisorDavis, Crystal U.en_US
dc.contributor.authorLawrence, Kaelaen_US
dc.contributor.departmentDanceen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2025-08-08T12:26:55Z
dc.date.issued2025en_US
dc.description.abstractThis paper presents multifaceted research conducted over the span of three years, pertaining to my personal endeavor as a Black dance artist, choreographer, and educator. Honoring generational customs and culture while embracing new understandings, I embark on a journey of evolving, developing, and learning within the world of Black dance making and storytelling.en_US
dc.identifierhttps://doi.org/10.13016/wff3-gdln
dc.identifier.urihttp://hdl.handle.net/1903/34335
dc.language.isoenen_US
dc.subject.pqcontrolledDanceen_US
dc.titleIN SEARCH OF OUR GRANDMOTHERS’ GARDENS: ROOTED IN BLACKNESS, DANCING THROUGH ERASURE, AND BLOOMING BEYOND RESISTANCEen_US
dc.typeThesisen_US

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