st(ill) sounds: waves of sound, health, and the choreographic process, explores the intersections of sound, healthcare, choreography, and dance performance. The research draws upon psychology, physical and cognitive science, visual art, technology, linguistics, and cripistemologies. Central to the research is the concept of the body as a conduit for the construction of sonic material and states of being. Through critical listening, investigations of the visual, aural, and sensorial, are ways to frame embodied consciousness, identity forming, and cultural exchange. Guided by inquiries into modes of listening and desired modes of being heard, the research unravels the interconnectedness of sound’s affect. The work of Pauline Oliveros, Nina Sun Eidsheim, Nancy Stark Smith, Stanley Keleman, and Cymatic Technology ground this research. The choreographic process is discussed through diverse frameworks and practices which include the exploration of fluid dynamics, wave phenomena, bodily landscapes, vibratory practices, and the co-emergent properties of echo as a feminist force. The research culminates in the creation of a transformative sonic experience through its contributions to performance, process, and relationality, underscored by access.