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dc.contributor.advisorWyatt, Daviden_US
dc.contributor.authorDrake, Simoneen_US
dc.date.accessioned2007-06-22T05:37:08Z
dc.date.available2007-06-22T05:37:08Z
dc.date.issued2007-05-01
dc.identifier.urihttp://hdl.handle.net/1903/6911
dc.description.abstractThe 1970s were a prolific era for Black women's writing. During what is now referred to as the Black Women's Literary Renaissance, Black women writers worked to center Black women's experiences in American and African American literary "traditions" that had theretofore excluded them. This project examines how more recent writing by Black women signifies on the issues and concerns that defined the Renaissance, particularly issues of historical recovery and Black male sexism. Despite the progressive nature of the Renaissance, Black women consistently found that their work was at odds with what Farah Jasmine Griffin calls, "the promise of protection," propagated by Black Nationalism. In response to this patriarchal promise, writers like Toni Morrison, for example, created characters, who like Sula Peace, chose a space of solitude over the patriarchal offer of "protection." I argue that contemporary Black women writers are re-thinking spaces of solitude, and instead proposing a "promise of partnership" that is grounded in a critical gender consciousness. <em>"Sometimes Folk Need More": Black Women Writers Dwelling in the Beyond"</em> is an interdisciplinary study of reformed partnership in the cultural productions of four contemporary Black women writers. Appropriating Homi Bhabha's concept of "dwelling in the beyond," I discuss how these writers imagine a productive and secure space for intra-racial, heterosexual dialogue in Toni Morrison's, <em>Paradise</em>, Erna Brodber's, <em>Louisiana</em>, Kasi Lemmons' film, <em>Eve's Bayou</em>, and Danzy Senna's short story, "The Land of Beulah." Each of these texts suggest that not only do promises of protection leave characters needing "something more," but that previous narratives of kinship and family that were a hallmark of Black women's Renaissance era writing, leave the characters needing "something more," as well. As the texts interrogate familial and heterosexual relationships, they consistently conclude that "the more" is a reformed heterosexual partnership that is grounded in unmotivated respect.en_US
dc.format.extent2503276 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.title"Sometimes Folk Need More": Black Women Writers Dwelling in the Beyonden_US
dc.typeDissertationen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentEnglish Language and Literatureen_US
dc.subject.pqcontrolledLiterature, Americanen_US
dc.subject.pqcontrolledWomen's Studiesen_US
dc.subject.pqcontrolledBlack Studiesen_US
dc.subject.pquncontrolledToni Morrisonen_US
dc.subject.pquncontrolledErna Brodberen_US
dc.subject.pquncontrolledKasi Lemmonsen_US
dc.subject.pquncontrolledDanzy Sennaen_US
dc.subject.pquncontrolledBlack feminist aestheticen_US
dc.subject.pquncontrolledheterosexual relationshipsen_US


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