This dissertation argues for the importance of reading for interiority in trans of color cultural productions. With so many representations of racialized trans people foregrounding the violated body, the cultural imaginary around trans of color life is saturated with notions of corporeality. In this context, I develop a transworld hermeneutic that refuses an emphasis on the racialized and colonized trans body, which is fetishized by the medical industrial complex and by cultural productions, and instead, turns towards the interior. Examining Black and Dalit diasporic texts, from postcolonial classics such as Nuruddin Farah’s Maps to contemporary novels like Akwaeke Emezi’s Freshwater to Mimi Mondal’s speculative short stories, I argue that while the corporeal is surveilled by the cis colonial gaze, the interior shows glimpses of world-making practices that are protected from the pornotropic violence of spectacle.

While Western epistemologies define trans identity through the lens of Enlightenment-based models of science that focus on the sexed body’s transitions, my emphasis on interiority reconceptualizes trans of color life as intuitive, ecstatic, speculative and spiritual. Using the affective interior as a central framework, my transworld reading strategy offers a departure from essentialist as well as performative understandings of gender: informed by the theories of the spirit, the interior strives to remain opaque to the external gaze, hence guarded from performative effects. Overall, my research reveals how Black and Dalit exclusions from the colonial Human create the possibility of trans becoming; in other words, colonial and racist violence forcibly constructs transness, an experience that is utilized strategically by Black and Dalit writers as a decolonial tool for challenging, dismantling, and rewriting scripts of humanness.