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  • Public school music booster groups, 2015 revenue data 

    Elpus, Kenneth; Grisé, Adam (2018)
    This is an anonymized version of the dataset underlying "Music booster groups: Alleviating or exacerbating funding inequality in American public school music education?" by Kenneth Elpus and Adam Grisé. Included here are ...
  • "The Biggest Con in History": American Myth-Making in the Stage and Screen Adaptations of Anastasia 

    Weyman, Jennifer Elizabeth (2018)
    The story of Anastasia Nikolaevna Romanova has been engrained in the American imagination for nearly a century. This tale has often been told on stage and screen, depicting Anastasia and her most famous impersonator: Anna ...
  • Isle of Gold - a story in music 

    Samson, Matthew David Arling (2018)
    Out of the great abundance of stories available to humans throughout history, opera composers and their librettists have favored a surprisingly small subset of these stories in the production of their works. Thus, a ...
  • VOCAL LYRICISM IN THE VOICE OF THE VIOLA 

    Shohdy, Valentina Alaaledin (2018)
    This dissertation performance project explores how the interpretation of instrumental music can be influenced and informed by the vocal repertoire of various composers throughout music history. The first recital draws ...
  • MARKED FOR CONSCIOUSNESS: ACCENT SYMBOLS AS AN INTERPRETIVE TOOL IN SCHUMANN’S DUO WORKS WITH PIANO 

    Langlois, Michael (2018)
    Robert Schumann’s duo works with piano contain a wide and varied assortment of accent markings. Most of these accents are represented by five different symbols: fp, sf, a one-note hairpin, a wedge, and circumflex. The ...

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