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COSTUME DESIGN FOR L’ENFANT ET LES SORTILÈGES

dc.contributor.advisorHuang, Helen Qen_US
dc.contributor.advisorMacdevitt, Brianen_US
dc.contributor.authorFulop, Kate Juliaen_US
dc.date.accessioned2015-06-27T05:38:40Z
dc.date.available2015-06-27T05:38:40Z
dc.date.issued2015en_US
dc.identifierhttps://doi.org/10.13016/M28P82
dc.identifier.urihttp://hdl.handle.net/1903/16741
dc.description.abstractThe purpose of this thesis is explore the artistic concepts, design process and execution of Kate Fulop’s costume design for the Maryland Opera Studio’s production of L’enfant et les sortilèges by Maurice Ravel and score by Collette. L’enfant et les sortilegès opened on April 17th, 2015 in the University of Maryland’s Kay Theatre under the direction of Nicholas Olcott, conducted by Craig Kier, movement by Karin Abromaitis. The design team included set designer April Joy Vester and Lighting design by Brittany Shemuga. This document includes a detailed explanation of the design process including conceptual approach statements, color renderings, revisions and in process, fitting, and production photos. This document will also follow the problem solving and realization process from a paper to design to an actualized design.en_US
dc.language.isoenen_US
dc.titleCOSTUME DESIGN FOR L’ENFANT ET LES SORTILÈGESen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentTheatreen_US
dc.subject.pqcontrolledTheateren_US
dc.subject.pqcontrolledPerforming artsen_US
dc.subject.pquncontrolledCostume Designen_US
dc.subject.pquncontrolledDesignen_US
dc.subject.pquncontrolledOperaen_US
dc.subject.pquncontrolledRavelen_US
dc.subject.pquncontrolledTheatreen_US


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