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dc.contributor.advisorCasey, Mauden_US
dc.contributor.authorAdams, Taylor Reiden_US
dc.date.accessioned2014-06-24T06:20:52Z
dc.date.available2014-06-24T06:20:52Z
dc.date.issued2014en_US
dc.identifier.urihttp://hdl.handle.net/1903/15416
dc.description.abstractBon à Rien follows a character who struggles to navigate, and find footing in, a world warped by his own perplexing feelings of guilt. To him, chatter and accusations (from neighbors, tourists, newspapers, even animals and statues) populate an atmosphere in which he is constantly being watched and evaluated, by outside forces. He finds shallow refuge in pontificating against the forces that have wronged him, and defends himself through an irreverent attitude. He longs to find a sense of freedom from social context, vexed by the chaos and noise of his surroundings and memories. As he flees responsibility in situations caused by his own recklessness, his behavior ultimately compounds his position as an outsider, a freak. As these self-inflicted pressures mount, he struggles to reconcile his past (in)actions with the fates of others, and searches for an authentic way to interpret his past life which has already unraveled.en_US
dc.language.isoenen_US
dc.titleBON À RIENen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentCreative Writingen_US
dc.subject.pqcontrolledLiteratureen_US


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