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Avenue

dc.contributor.advisorArnold, Elizabethen_US
dc.contributor.authorDeMay, Timen_US
dc.date.accessioned2014-06-24T06:18:30Z
dc.date.available2014-06-24T06:18:30Z
dc.date.issued2014en_US
dc.identifier.urihttp://hdl.handle.net/1903/15400
dc.description.abstractThe following poems stem from an extended meditation on what it might mean to limit the agency and activity of the self. Throughout "Avenue," the self builds less than it is built, even when in the position of a creator. Alongside and imbricated with the content is a high level of interest in the formal capabilities of extended, complicated, and broken syntax. Form and content broadly change with the three sections of the thesis: Part One seeks to explore the possibilities of the personal lyric poem, Part Two maps the thesis' concerns onto a historical figure and a series of poems following a strict form, and Part Three attempts to broaden the personal concerns into social or historical levels through the figure of the city and that of the avenue.en_US
dc.language.isoenen_US
dc.titleAvenueen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentEnglish Language and Literatureen_US
dc.subject.pqcontrolledLiteratureen_US


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