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Vaudevival: Old is the new New

dc.contributor.advisorPhillips, Miriamen_US
dc.contributor.authorOleson, Emilyen_US
dc.date.accessioned2012-10-16T05:30:14Z
dc.date.available2012-10-16T05:30:14Z
dc.date.issued2012en_US
dc.identifier.urihttp://hdl.handle.net/1903/13293
dc.description.abstractVaudevival: Old is the new New was an evening-length concert performed October 20th & 21st, 2011 at the Clarice Smith Performing Arts Center in partial fulfillment of the M.F.A. degree in Dance from the University of Maryland's School of Theatre, Dance, and Performance Studies. Vaudevival was a "trad" dance theater project that challenged concepts of aesthetic hierarchies in popular culture. The show ricocheted through twentieth-century vernacular dance to create a vibrant statement about the cyclical nature of art and society, with live music and multi-media projections. This paper is a written account of theoretical and practical problems of identity politics and appropriation that unfolded during the choreographic process. Envisioning a creative utopia free of exploitative hierarchies - both on the stage and on the page, Vaudevival invokes the old to reinvent the new through the intertextuality of American dances, bringing scholarship to the theater, and bringing some theater to scholarship.en_US
dc.titleVaudevival: Old is the new Newen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentDanceen_US
dc.subject.pquncontrolled20th Centuryen_US
dc.subject.pquncontrolledCharlestonen_US
dc.subject.pquncontrolledtapen_US
dc.subject.pquncontrolledurban danceen_US
dc.subject.pquncontrolledvaudevilleen_US
dc.subject.pquncontrolledvernacular danceen_US


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